wed 08/04/2020

Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

Heaven's Gate

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DVD: Shell

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DVD: Underground (1928)

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Aguirre, Wrath of God

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DVD: Time of the Gypsies

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The King of Marvin Gardens

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DVD: Phantom Lady

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Beware of Mr Baker

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DVD: Dead Head

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DVD: I, Anna

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The Spirit of '45

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The Dark Side of the Moon: Prog’s Gleaming Peak

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DVD: On The Road

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Madame de...

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DVD: Ginger & Rosa

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DVD: Holy Motors

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Return to Belsen, ITV review - Jonathan Dimbleby retraces hi...

When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April...

Recording Heaven

When it comes to making records, I love deadlines. Embarking on an open-ended project, particularly with the infinite number of overdubs made...

Album: The Strokes - The New Abnormal

Their debut’s title was a disillusioned shrug, and for most of the 19 years since Is This It,...

Mark Townsend: No Return review - a masterclass in journalis...

When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to...

Wonderland, Hampstead Theatre online review - a major play a...

The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily...

Cyprus Avenue, Royal Court Theatre online review - a mind in...

One of the most blistering stage performances in recent memory gets a renewed lease on life with the streaming of the 2019 screen version, aired...

Colors performance stream on YouTube review - vocalists on l...

The Colors studio in Berlin has quietly created one of the biggest new brands in music from filming back-to-basics performances with laser-focused...

It’s True, It’s True, It’s True, Breach Theatre online revie...

Artemisia Gentileschi has definitely had a hard time. Although she was an outstanding Renaissance painter in the style of Caravaggio, and the...

theartsdesk on Vinyl Lockdown Special 1: Napalm Death, Brazi...

For the duration of this C19 Lockdown, rather than the usual sprawling monthly epic, theartsdesk on...

Blu-ray: Buster Keaton - Three Films, Vol. 2

These three films come from Buster Keaton’s ...