sat 11/07/2020

Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

We Made It: 'The Revenant' Production Designer Jack Fisk

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theartsdesk Q&A: Filmmaker Hou Hsiao-hsien

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The Assassin

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The Hateful Eight

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theartsdesk Q&A: Filmmakers Guy Maddin and Evan Johnson

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DVD: Day of the Outlaw

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The Forbidden Room

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DVD: Love & Mercy

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DVD: By Our Selves

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DVD: I Believe in Miracles

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Brooklyn

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We Made It: Designing DVD Covers

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DVD: Slow West

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Suffragette

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DVD: Hard to Be a God

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Horse Money

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theartsdesk on Vinyl 58: Joy Division, Alma, Prince, African...

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Finding The Way Back review - alcoholism on the rebound

Gavin O’Connor has made a career out of sturdy films that make grown men cry. His best was Warrior - a hulking, tear-jerking...

The Golden Age of Modern Spanish Art, Colnaghi review - the...

When Picasso left Barcelona for Paris in 1900, he took what by...

The Deep Blue Sea, National Theatre at Home review - hauntin...

Helen McCrory is an actor who can inject a world of feeling into one syllable that many actors would struggle to muster in an entire script....

Litigante review - an unflashy film which rings true

Colombian director Franco Lolli’s debut feature...

@TheDriveIn, Blackheath review - comedy and caraoke

Drive-ins are now firmly establishing themselves as the only method by which culture fans can see live arts in person for the future. Hot on the...

Album: The Streets - None of Us Are Getting Out of This Life...

Given the collaborator list on this album, it should be a bit of a mess. Brit punks IDLES,...

Theatre Lockdown Special 13: Early Lloyd Webber, vintage Rat...

Stop the presses! For the first time in nearly four months, The Arts Desk can point to the first of several live theatre events amongst the...

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What music would you choose to hear for your first live event after nearly four months of lockdown? For me, it would be...

The Old Guard review - serious silliness

It’s hard to take The Old Guard seriously — it’s an ...