wed 26/02/2020

Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

We Made It: 'Carol' Costume Designer Sandy Powell

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Trumbo

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Youth

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We Made It: 'The Revenant' Production Designer Jack Fisk

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theartsdesk Q&A: Filmmaker Hou Hsiao-hsien

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The Assassin

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The Hateful Eight

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theartsdesk Q&A: Filmmakers Guy Maddin and Evan Johnson

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DVD: Day of the Outlaw

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The Forbidden Room

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DVD: Love & Mercy

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DVD: By Our Selves

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DVD: I Believe in Miracles

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Brooklyn

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We Made It: Designing DVD Covers

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DVD: Slow West

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Simon Trpčeski, Barbican review - a charismatic chameleon

When Macedonian pianist Simon Trpčeski first bounced on to the...

Push review – lifting the lid on the housing crisis

Italian journalist, Roberto Saviano still lives in fear of his life 11 years after writing Gomorrah, which explores how criminal gangs...

First Person: Hassan Abdulrazzak on the real-life drama behi...

You are at a party having a good time when someone gives you a glass of champagne. You take one and then another and soon the party...

The Windsors, Series 3, Channel 4 review - perfect timing fo...

The rage and bitterness surrounding the Brexit brouhaha have...

The Prince of Egypt, Dominion Theatre review - Moses musical...

The theatre gods rained down not fire and pestilence, but a 45-minute...

Back in Time for the Corner Shop, BBC Two review - open all...

Since Back in Time for Dinner in 2015, this BBC Two...

Album: Sergio Mendes - In the Key of Joy

Released to coincide with a new documentary on his...

Flesh and Blood, ITV review - Vivien's new love affair...

“Everybody lies," says property developer Tony to his PA and secret lover Natalie. “Even your mum probably.” And of course he’s not wrong.

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Gabetta, NHK SO, Järvi, RFH review - transparency and dynami...

This concert represented the British leg of the NHK Symphony Orchestra’s European tour. Tokyo’s radio orchestra is...

Alina, Sadler's Wells review - I think therefore I danc...

It’s common to see the term “vanity project” applied to self-produced shows by...