Rachel Halliburton

Articles By Rachel Halliburton

Fiddler on the Roof, Playhouse Theatre, review – energetic production whips up an emotional storm Thursday, 28 March 2019 Read more...	Richard II, Sam Wanamaker Theatre review - electrifying mixed-race all-female production Monday, 18 March 2019 Read more...
The Twilight Zone, Ambassadors Theatre review – retro wit for our new space age Wednesday, 13 March 2019 Read more...	Berberian Sound Studio, Donmar Warehouse review – improves the original Friday, 15 February 2019 Read more...
The Cherry Orchard, Pushkin Drama Theatre, Barbican review - stunning absurdist Chekhov Wednesday, 06 February 2019 Read more...	Counting Sheep, The Vaults review - visceral recreation of an uprising Thursday, 31 January 2019 Read more...
Imagine... James Graham, BBC One review - deft analysis of a working life Tuesday, 22 January 2019 Read more...	Rosenbaum's Rescue, Park Theatre review - curiously solid Jewish drama Wednesday, 16 January 2019 Read more...
The Tragedy of King Richard II, Almeida Theatre review - Simon Russell Beale leads revelatory interpretation Wednesday, 19 December 2018 Read more...	The Box of Delights, Wilton's Music Hall review - captivating adaptation of John Masefield's darkly thrilling novel Tuesday, 18 December 2018 Read more...
Doctor Faustus, Sam Wanamaker Theatre review - female Faustus reaps rich rewards Friday, 07 December 2018 Read more...	Summer and Smoke, Duke of York's Theatre review – Patsy Ferran's remarkable performance Wednesday, 21 November 2018 Read more...
Macbeth, Shakespeare's Globe review - sexually-charged production draws power from the shadows Thursday, 15 November 2018 Read more...	Honour, Park Theatre review - an assault on complacency Friday, 02 November 2018 Read more...
A Guide For The Homesick, Trafalgar Studios review - warmly funny and deeply moving Friday, 19 October 2018 Read more...	Parents' Evening, Jermyn Street Theatre - chemistry so negligible it's antiseptic Thursday, 11 October 2018 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Dangerous Matter, RNCM, Manchester review - opera meets scie...

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it...

Ian Leslie: John and Paul - A Love Story in Songs review - h...

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the...

Album: BC Camplight - A Sober Conversation

A Sober Conversation is the work of a master songwriter, one who knows how to achieve their goals. As the album’s nine tracks pour from...

Schubertiade 3 at the Ragged Music Festival, Mile End review...

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to...

Showmanism, Hampstead Theatre review - lip-synced investigat...

I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “...

Immersive Night Music Show, Makita, Londinium Ensemble, Worl...

To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and...

theartsdesk on Vinyl 91: Sex Pistols, Pink Floyd, Tropical F...

VINYL OF THE MONTH

Frank From Blue Velvet I Am Frank (Property of the Lost) + Column258...

Abstract Erotic, Courtauld Gallery review - sculpture that...
The Courtauld Gallery’s Abstract Erotic is a...