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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Electric Dreams: Art and Technology Before the Internet, Tate Modern review - an exhaustive and exhausting show

Monday, 02 December 2024 Read more...

Snow Leopard review - clunky visual effects mar a director's swansong

Saturday, 23 November 2024 Read more...

ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

Saturday, 16 November 2024 Read more...

Vanessa Bell, MK Gallery review - diving into and out of abstraction

Tuesday, 22 October 2024 Read more...

The Last of the Sea Women review - a moving tale of feisty traditional divers

Saturday, 12 October 2024 Read more...

Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries

Thursday, 10 October 2024 Read more...

Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended

Wednesday, 09 October 2024 Read more...

Monet and London, Courtauld Gallery review - utterly sublime smog

Friday, 04 October 2024 Read more...

Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor

Wednesday, 25 September 2024 Read more...

Van Gogh: Poets & Lovers, National Gallery review - passions translated into paint

Saturday, 14 September 2024 Read more...

Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage

Tuesday, 30 July 2024 Read more...

Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history

Monday, 29 July 2024 Read more...

The Echo review - a beautiful but confusing look at life in a Mexican village

Friday, 26 July 2024 Read more...

Heart of an Oak review - an adventure film starring a tree and its inhabitants

Friday, 05 July 2024 Read more...

In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all

Wednesday, 03 July 2024 Read more...

Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears

Friday, 28 June 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
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As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with...

Bleak landscapes and banjos: Composer Bernard Hughes discus...

Composer Bernard Hughes first met director Richard Bracewell when working on the film Bill, a 2015 Horrible Histories take on...

Album: Bruce Springsteen - Tracks II: The Lost Albums

It’s somewhat surprising to read that The Boss wasn’t happy with the Born in the USA. After all, it was – remains – his most iconic...

Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Dangerous Matter, RNCM, Manchester review - opera meets scie...

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it...

Ian Leslie: John and Paul - A Love Story in Songs review - h...

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the...

Album: BC Camplight - A Sober Conversation

A Sober Conversation is the work of a master songwriter, one who knows how to achieve their goals. As the album’s nine tracks pour from...

Schubertiade 3 at the Ragged Music Festival, Mile End review...

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to...

Showmanism, Hampstead Theatre review - lip-synced investigat...

I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “...