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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

Saturday, 25 March 2023 Read more...

The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity

Thursday, 16 March 2023 Read more...

Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail

Tuesday, 28 February 2023 Read more...

Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

Thursday, 16 February 2023 Read more...

Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration

Tuesday, 14 February 2023 Read more...

Town of Strangers review - a whimsical foray into the meaning of home

Wednesday, 08 February 2023 Read more...

Best of 2022: Visual Arts

Wednesday, 28 December 2022 Read more...

Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

Friday, 18 November 2022 Read more...

Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

Saturday, 12 November 2022 Read more...

William Kentridge, Royal Academy review - from art to theatre, and back again

Monday, 24 October 2022 Read more...

Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut

Wednesday, 05 October 2022 Read more...

Remote review - an irredeemably silly first feature

Saturday, 01 October 2022 Read more...

Hallyu! The Korean Wave, V&A review - frenetic but fun

Tuesday, 27 September 2022 Read more...

Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite

Monday, 26 September 2022 Read more...

Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

Tuesday, 20 September 2022 Read more...

Carolee Schneeman: Body Politics, Barbican review - challenging, in-your-face and messy

Thursday, 15 September 2022 Read more...

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