thu 18/04/2024

Sebastian Scotney

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Articles By Sebastian Scotney

10 Questions for Bruce Lindsay, biographer of Ivor Cutler

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Album: Emma Smith - Snowbound

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Hold Me Tight review - Vicky Krieps mesmerises

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EFG London Jazz Festival round-up review - great moments in London's tiny clubs

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Juniper review - a classic role for Charlotte Rampling

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Bloody Oranges review - a gruesome and gruelling French social satire

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Ken Auletta: Hollywood Ending - Harvey Weinstein and the Culture of Silence review - if the tide had turned in 2002...

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Album: Julia Hülsmann Quartet - The Next Door

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Official Competition review - satire served cold

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Album: Gabriele Mirabassi and Stefano Zanchini - Il gatto e la volpe

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Mingus Dynasty, Ronnie Scott's review - official keepers of the flame at the temple of jazz

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Prom 40, Moore, RPO, Petrenko review - orchestral clarity, and a persuasive trombonist

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Our Eternal Summer review - tragedy taps authentic teenage emotions in Marseille

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Album: Gareth Williams - Short Stories

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The Good Boss review - Javier Bardem at his creepy best

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theartsdesk in Montreal - delights and discoveries at the 42nd International Jazz Festival

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Lisa Kaltenegger: Alien Earths: Planet Hunting in the Cosmos...

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

The Book of Clarence, review - larky jaunt through biblical...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...