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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Fiddler on the Roof, Barbican review - lean, muscular delive...
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...
In Praise of Love, Orange Tree Theatre review - subdued prod...
Terence Rattigan's rehabilitation – some...
Album: Little Simz - Lotus
Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...
Letters from Max, Hampstead Theatre review - inventively sta...
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...
Bradford City of Culture 2025 review - new magic conjured fr...
Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....
Album: Death In Vegas - Death Mask
A long time ago, in a galaxy far, far away called the late 1990s,...
La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...
Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...
Dept. Q, Netflix review - Danish crime thriller finds a new...
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...
The Queen of Spades, Garsington Opera review - sonorous glid...
Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...