sat 14/06/2025

Visual Arts Reviews

Anarchy and Beauty: William Morris and His Legacy, National Portrait Gallery

Marina Vaizey

Can you sense a person's life through a sequence of objects? Not to mention influence and legacy? Biographical exhibitions are fascinating, not least because they also tell us something about looking back through the filter of the present. And William Morris (1834-1896) has certainly been, in many ways, a man for all seasons. 

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Gerhard Richter, Marian Goodman Gallery

Marina Vaizey

Another October and another Frieze week just passed. This means the biggest of big hitters have been turning up in London. The economic quantifiers aren’t precise, but there have been plenty of estimates. Hordes of well-heeled visitors mean big profits for hotels, restaurants, shops and transport.

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Russian Avant-Garde Theatre, Victoria & Albert Museum

Sarah Kent

Installed in the main exhibition space, this could have been a blockbuster show introducing a large audience to an important moment in Russian Theatre; but tucked away in the Department of Theatre and Performance, where spaces are narrow and galleries small, there is little room to show off these superb exhibits to their best advantage. Only the initiated will, I fear, brave these claustrophobic corridors and persevere long enough to appreciate the goodies on offer.

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Grayson Perry: Who Are You?, Channel 4

Jasper Rees

The night before he was locked up, Chris Huhne had that Grayson Perry round for tuna steaks. Who knew? Perry was embarking on a series of portraits about identity at a crossroads, and can there be a more public crisis of identity than a Cabinet minister going to prison? But first Perry wanted to get to know his subject. Huhne was resistant to probing.

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Pierre Huyghe/ Paul McCarthy, Hauser & Wirth

Fisun Güner

In a tavern somewhere in Tokyo, two Japanese macaque monkeys work a daily, two-hour shift (under Japanese law, these hours are regulated). Dressed in miniature uniforms, the monkeys’ main task is to deliver hot towels to amused customers before drinks orders are taken by a human. The customers tip the monkeys in boiled soy beans. 

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Andrew Logan’s Alternative Miss World, Globe Theatre

Sarah Kent

On Saturday at Shakespeare’s Globe, the Alternative Miss World was staged for the 13th time. Having launched this gloriously tacky event in his Hackney studio in 1972, artist Andrew Logan promises to carry on the tradition until the day he dies; but it’s last showing – at the Roundhouse five years ago – nearly bankrupted him.

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Witches and Wicked Bodies, British Museum

Florence Hallett

Wicked women have always sold well, but more than that, they have fired the artistic imagination in a quite exceptional way. Exploring the depiction of the witch from the 15th to the 19th century, this exhibition is packed with images that must number amongst the most dramatic, atmospheric and gripping ever made, proof if it were needed of the energising effects of a truly inspiring subject.

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The spooky and the bold in the art of contemporary China

Mark Sheerin

In China there are more than 100 million fans of Manchester United. At least that’s what I’m told when I get to the the city's National Football Museum. And in a sartorial decision unusual in the art world, we are greeted by artist Chen Wenbo wearing an Arsenal football scarf. In sport, as in contemporary art, the Chinese are often playing the same game as us.

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Schama on Rembrandt: Masterpieces of the Late Years, BBC Two

Marina Vaizey

The chatty, loquacious, exuberant Simon Schama, whose seminal 1987 book on Holland in the 17th century, The Embarrassment of Riches, transformed the anglophone’s understanding of the Dutch Republic, describes himself as historian, writer, art critic, cook, BBC presenter. He is also the University Professor of History and Art History at Columbia, and has written 14 substantial and even significant books.

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Richard Serra, Gagosian Gallery

Marina Vaizey

The septuagenarian American sculptor Richard Serra can treat the most massive sheets of steel as though they are handy pieces of paper for his version of origami; or he can decide to stack huge dense metal blocks as though they were children’s play bricks.

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