sun 25/08/2019

theartsdesk com, first with arts reviews, news and interviews

Kieron Tyler
Sunday, 25 August 2019
Apparently, Creedence Clearwater Revival drummer Doug Clifford’s snare drum broke during the first song of their set at Woodstock Festival. On the new double album Live at...
Rachel Halliburton
Saturday, 24 August 2019
It may sound perverse to say it, but Albert was the perfect twenty-first century prince. Thrust into the heart of the British monarchy he was simultaneously an oppressed outsider...
Joseph Walsh
Saturday, 24 August 2019
As Penny Lane’s documentary shows, America and Satanism have a long history. From the Salem Witch trials to the moral panic triggered by the Manson murders and films like William...
Bernard Hughes
Saturday, 24 August 2019
After Thursday night’s concert I celebrated the Proms’ exploration of unfamiliar repertoire via the CBSO. The following evening saw the festival diving back into mainstream...
Owen Richards
Saturday, 24 August 2019
There were some early warning signs that A Faithful Man might be another box-ticking French romcom. The poster of two women kissing one man, his bemused look in the middle. The...
Miranda Heggie
Saturday, 24 August 2019
”Cunts Are Still”. Well, that got your attention, didn’t it? Not my words, merely the title of one of JARV IS’s new tracks. In case you didn’t get it, JARV IS is a play on words...
Nick Hasted
Saturday, 24 August 2019
Guillermo del Toro considered directing this adaptation of Alvin Schwartz’s bestselling campfire tales, and his sensibility...
Graham Rickson
Saturday, 24 August 2019
 Bach: Keyboard Music Nils Anders Mortensen (piano) (Lawo Classics)There's so much to love about this Bach keyboard...
Lisa-Marie Ferla
Saturday, 24 August 2019
If there's a central motif to the sprawling, 18-track opus that is Taylor Swift’s seventh release - and it’s an album that...
David Nice
Friday, 23 August 2019
Puccini's and Abbé Prévost's glitter-seduced Manon Lescaut might have been inclined to linger longer in the salon of dirty...
Tom Birchenough
Friday, 23 August 2019
You can’t fail to feel the ghosts in Appropriate: they are there in the very timbers of the ancient Southern plantation...
Bernard Hughes
Friday, 23 August 2019
Let us never tire of singing the praises of the Proms, nor ever take them for granted. For two months concerts, many of...
Thomas H Green
Friday, 23 August 2019
When Johnny Cash and Rick Rubin released the former’s stripped back, soul-bearing American Recordings in 1994 the impact was...
David Nice
Thursday, 22 August 2019
Love him or hate him, Lars von Trier has time and again made the unpalatable and the improbable real and shatteringly moving...
Adam Sweeting
Thursday, 22 August 2019
This is how Steven Knight pictured Peaky Blinders when he first set about creating it. “I was very keen not to do a...
Sebastian Scotney
Thursday, 22 August 2019
The Bauhaus school and its subsequent influence make an extraordinary story, and this film by Mat Whitecross, which has...
Ellie Porter
Thursday, 22 August 2019
"Would you mind if I jammed on my new... castanets?" We’re halfway through Eels’ triumphant set at Hammersmith's Eventim...
Nick Hasted
Thursday, 22 August 2019
This album’s title began as a reaction to fractiousness under Trump, but gained more intimate meaning when drummer Janet...
Markie Robson-Scott
Wednesday, 21 August 2019
The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions,...
 

★★★★ APPROPRIATE, DONMAR WAREHOUSE Fraught family reunion blisteringly told

★★★★★ PROM 46: KANNEH-MASON, CBSO, GRAŽINYTĖ-TYLA Brilliant programme, brilliant playing

EDINBURGH INTERNATIONAL FESTIVAL 2019: BACH'S MULTIPLE CONCERTOS / MANON LESCAUT Dancing harpsichords, perfect Puccini

disc of the day

CD: Taylor Swift - Lover

18 earnestly epic tracks from America's loved-up sweetheart

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

Power, politics and Peaky Blinders - the Shelby family return for Series 5

Steam-punk gangsters invade the corridors of Westminster

Bauhaus 100, BBC Four review - a well-made film about the makers

A fascinating centenary tale of God-like architects and punks

film

Hail Satan? review - the detail of the devil

Documentary reveals the comedy and politics of America's satanists

A Faithful Man review - an atypical romance

French romantic comedy that both follows and breaks the rules

Scary Stories to Tell in the Dark review - mild-mannered nightmares

Campfire horror yarns favour character over fright

new music

Edinburgh International Festival 2019: JARV IS review - Britpop legend still delivers

Pulp frontman brings expertly crafted songs and a tight, talented band to Leith Theatre

CD: Taylor Swift - Lover

18 earnestly epic tracks from America's loved-up sweetheart

CD: Tanya Tucker - While I'm Livin'

Solidly enjoyable reappearance from one of country'n'western's wild women

classical

Prom 47: Schönheit, Leipzig Gewandhaus, Nelsons review - Bruckner doesn’t quite take flight

Ravishing sounds from thoroughbred Germans, undermined by sluggish tempos

Classical CDs Weekly: Bach, Christophersen, Mr McFall's Chamber

Baroque keyboard suites and Norwegian brass virtuosi. Plus penguins and a musical saw.

opera

Making new waves: Royce Vavrek on forging a libretto from Lars von Trier

Missy Mazzoli's collaborator on their new operatic version of 'Breaking the Waves'

theatre

Appropriate, Donmar Warehouse review - fraught family reunion blisteringly told
Branden Jacobs-Jenkins’s 2013 play is tensely dark, as well as very funny
The Doctor, Almeida Theatre review - Robert Icke's long goodbye
Juliet Stevenson is brilliant in an ethical debate that is both thrilling and challenging
Edinburgh Fringe 2019 reviews: The Red/ Gone Full Havisham
More from the world's biggest and best arts festival

dance

Matthew Bourne's Romeo and Juliet, Sadler's Wells review - heart-stopping drama

The plot isn't perfect, but this bad romance still packs a punch

The Bright Stream, Bolshoi Ballet review - a gem of a comedy

Ratmansky and Shostakovich offer up old-fashioned fun with an undercurrent of sweetness

Spartacus, Bolshoi Ballet, Royal Opera House review - no other company could pull this off

Visiting Russians transform wooden material into muscular spectacle

comedy

Edinburgh Fringe 2019 review: Arabella Weir - Does My Mum Loom Big In This?

Fringe debut on her overbearing mother feels too polite to confront its own darkness

gaming

Rage 2 review – garish but great post-apocalyptic shooter

Challenge The Authority in this 'Mad Max on mushrooms' renegade romp

Win a Luxury Weekend for Two to Celebrate Brighton Festival!

An eclectic line-up spanning music, theatre, dance, visual art, film, comedy, literature and spoken word could be yours with boutique hotel and exquisite meals included

World War Z review - bloodthirsty fun with the zombie apocalypse

Chainsawing the brain-eaters as you battle against the tide of the undead

visual arts

Edinburgh Festival 2019 reviews: Below the Blanket / Samson Young: Real Music

Two Edinburgh shows meld music, sound and visual art to beguiling effect

Black Sabbath: 50 years, Birmingham Museum and Art Gallery review – not heavy going

Half a century of metal is celebrated in Sabbath's home city

Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people

Retrospective of Finnish artist turns on mortality and absence

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters