fri 18/04/2025

theartsdesk com, first with arts reviews, news and interviews

Theartsdesk
Wednesday, 01 October 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic...
Gary Naylor
Friday, 18 April 2025
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and, more recently, Graham Norton’s bonhomie. Until you...
Bernard Hughes
Thursday, 17 April 2025
The name Arthur Bliss always summoned up for me the image of a fuddy-duddy old buffer writing boring music. But as I’ve discovered his work over the last few years – initially...
Tim Cumming
Thursday, 17 April 2025
For lovers of British folk from the 1970s on, Peter Knight is a potent force – renowned for his years with Steeleye Span, in their 1970s heyday and from 1980 through to 2013’s...
Aleks Sierz
Wednesday, 16 April 2025
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s Paradise Lost seems apt when thinking about...
Bernard Hughes
Wednesday, 16 April 2025
The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I reviewed their latest release of...
Thomas H Green
Wednesday, 16 April 2025
Mark Morton is best known as a guitarist with US metallers Lamb of God. They’ve been going for three decades, established...
Jenny Gilbert
Tuesday, 15 April 2025
It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The...
Jonathan Geddes
Tuesday, 15 April 2025
As you might expect from a Manic Street Preachers gig, literary influences were never far away. A DH Lawrence quote was...
Nick Hasted
Tuesday, 15 April 2025
A longshot of transgender Elvira (Volker Spengler) circled by gay men, assignation turning to assault as dawn mist rises...
Adam Sweeting
Monday, 14 April 2025
It had begun to seem that Jon Hamm, whatever other roles he might appear in, was destined to be forever remembered...
Boyd Tonkin
Monday, 14 April 2025
Víkingur Ólafsson had something to prove at the Wigmore Hall. And prove it he did, even if, this time, his Goldberg...
Helen Hawkins
Monday, 14 April 2025
The writer Amy Ng has made a sterling effort in digging up the true story behind her new play at the Kiln, Shanghai Dolls,...
Robert Beale
Monday, 14 April 2025
There was a change of conductor from the one advertised for this BBC Philharmonic performance at the Bridgewater Hall – but...
Aleks Sierz
Monday, 14 April 2025
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court artistic director David...
Liz Thomson
Monday, 14 April 2025
At a time when the powers that sadly be in America are trying their damnedest to erase and rewrite history, the latest...
Simon Thompson
Sunday, 13 April 2025
I was in Germany last week, and nearly every town I went to was advertising a St Matthew or a St John Passion taking place...
Gary Naylor
Sunday, 13 April 2025
It seems a bizarre idea. Take a pivotal film in American culture that reset the perception of The Great American Dream at...
Kieron Tyler
Sunday, 13 April 2025
In October 1967, John Lee Hooker released a single titled “The Motor City is Burning.” The song commented on the civil...

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★★★★★ HOLY COW Perfectly pitched coming-of-age tale in rural France

★★★★ MANIC STREET PREACHERS, BARROWLAND, GLASGOW A career spanning set

★★★★★ YOUR FRIENDS & NEIGHBORS, APPLE TV+ In every dream home a heartache

★★★★★ ST MATTHEW PASSION, IBO, WHELAN, DUBLIN The heights rescaled

★★★ THANKS FOR HAVING ME, RIVERSIDE Snappily performed comedy with a lightweight core

★★★★ MANHUNT, ROYAL COURT Robert Icke turns to a modern 'monster'

★★★★ MAHLER 9, BBC PHILHARMONIC, GAMZOU, BRIDGEWATER HALL Vision and intensity

★★★★★ THE FORSYTE PROGRAMME, ENGLISH NATIONAL BALLET Veteran choreographer and maverick William Forsythe raises the game

disc of the day

Album: Gigspanner Big Band - Turnstone

Third album from British folk’s biggest big band

The future of Arts Journalism

 

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Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

High-powered cast impersonates the larcenous Harrigan dynasty

This City is Ours, BBC One review - civil war rocks family cocaine racket

Terrific cast powers Stephen Butchard's Liverpool drug-ring saga

film

DVD/Blu-ray: In a Year of 13 Moons

UK disc debut for Fassbinder's neglected, tragic, tender trans tale

The Amateur review - revenge of the nerd

Remi Malek's computer geek goes on a cerebral killing spree

Holy Cow review - perfectly pitched coming-of-age tale in rural France

Debut feature of immense charm with an all-amateur cast

new music

Album: Gigspanner Big Band - Turnstone

Third album from British folk’s biggest big band

Album: Mark Morton - Without the Pain

Second solo album from Lamb of God guitarist lays down hefty southern boogie

Manic Street Preachers, Barrowland, Glasgow review - elder statesmen deliver melody and sing-a-longs

The trio ran through new songs, obscure oldies and big hits in a career spanning set

classical

Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard British piano concerto

Welcome chance to hear a Bliss rarity alongside better-known British classics

London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiere

An impassioned response to the climate crisis was slightly hamstrung by its text

Goldberg Variations, Ólafsson, Wigmore Hall review - Bach in the shadow of Beethoven

Late changes, and new dramas, from the Icelandic superstar

opera

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Owen Wingrave, RNCM, Manchester review - battle of a pacifist

Orpha Phelan brings on the big guns for Britten’s charge against war

theatre

Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck you up
Ten years on, Gary Owen and Rachel O'Riordan top their triumphant Iphigenia in Splott
All the Happy Things, Soho Theatre review - deep feelings, but little drama
New play about a sibling’s death is well imagined and deeply felt, but a bit slender
Shanghai Dolls, Kiln Theatre review - fascinating slice of history inadequately told
Amy Ng's take on two Chinese titans needs more dramatic ballast

dance

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The Forsythe Programme, English National Ballet review - brains, beauty and bravura

Once again the veteran choreographer and maverick William Forsythe raises ENB's game

Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadness

A book about navigating grief feeds into unusual and compelling dance theatre

comedy

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Marcus Brigstocke, Touring review - modern manhood laid bare

Observations on what it is to be a bloke today

Matt Forde, Touring review - politics, poo and Viagra

The personal and political collide

Books

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Howard Amos: Russia Starts Here review - East meets West, via the Pskov region

A journalist looks beyond borders in this searching account of the Russian mind

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