Classical Features
theartsdesk in Brussels: Chapelle Musicale Reine Elisabeth at 75Sunday, 02 February 2014
There was deliberate symbolism in the way Maria João Pires chose to make her first entrance onto the stage at the birthday gala of the Chapelle Musicale Reine Elisabeth in Brussels earlier this week. The concert was a grand occasion. A well-heeled, well-dressed audience replete with supporters of the 75-year-old music academy, plus some Belgian royalty, had filled the Palais des Beaux-Arts to capacity. Read more... |
Abbado Memories of the Berlin Phil HornsWednesday, 22 January 2014
Claudio Abbado became the Principal Conductor of the Berlin Philharmonic in 1989 and continued his association with the world's most illustrious orchestra until very recently. Two members of the Berlin Phil's famous horn section share their memories of playing under the modest maestro. Read more... |
Addio, Claudio AbbadoMonday, 20 January 2014
“It is at the end that a composer can achieve his finest effects,“ declared Richard Strauss. He was thinking of his great operatic and symphonic epilogues, but apply that to the art of conducting, adjust the “at” to “towards”, and it applies supremely well to Claudio Abbado, who has died at the age of 80. Read more... |
Britten 100: Death in MoscowMonday, 16 December 2013
“A cold coming we had of it,” grumble the three kings in T S Eliot’s poem “The Journey of the Magi” later set by Britten as his Canticle IV. “Just the worst time of year for a journey,” they complain, carried onwards by the ungulate bass notes of the piano. Read more... |
The journey to hell in TheresienstadtThursday, 21 November 2013
In 1998, as I was driving home and flipping through the radio channels, a piece of music caught my ear. A string trio. With elements of Bartók , Stravinsky and maybe Janáček? And yet I was pretty sure none of these composers had written for this combination. I pulled over and sat transfixed by the side of the road until the announcer said: “that was a string trio by Gideon Klein”. Who? Read more... |
Remembering TavenerTuesday, 19 November 2013
You may have noticed an unholy silence from theartsdesk in the immediate aftermath of Sir John Tavener’s death a week ago today, just under three months short of his 70th birthday. Three of us in the classical team felt we just didn’t know his music well enough in the round, or care enough, to give an authoritative judgement. Read more... |
Gergiev: a response and an open letterWednesday, 06 November 2013
Following theartsdesk's Monday opinion piece on reasons for moving towards a boycott on Valery Gergiev's concerts, and in the general climate created by other reports and protests, the conductor has issued the following statement, to which David Nice responds with an open letter. Valery Gergiev's statement Read more... |
Opinion: Why I won't attend Gergiev's concertsMonday, 04 November 2013
Last Thursday I was giving a talk before a concert in Birmingham, decently but not inspiringly conducted by the much-liked Vasily Sinaisky. Had I been in London I could have taken my pick between two greater interpreters, Valery Gergiev launching his Berlioz series with the London Symphony Orchestra and veteran Yury Temirkanov returning to one of his standard programmes with the Philharmonia. Read more... |
theartsdesk in Banff: Where quartets competeSunday, 22 September 2013
There are few more beautiful places in the world to make music than Banff, the arts community founded in 1933, originally to teach drama. From small beginnings it became a name uttered with a certain reverence among the music world. And that is still true today, despite the fact that the centre is now as populated by conference attendees and "leaders of the future" as musicians, dancers, writers and artists. Read more... |
theartsdesk in Stavanger: A touch of FröstSunday, 01 September 2013
Three great pianists, one of the world’s top clarinettists and two fine string players in a single concert: it’s what you might expect from a chamber music festival at the highest level. What I wasn’t anticipating on the first evening in Stavanger was to move from the wonderful cathedral to an old labour club up the hill, now a student venue with two halls, for a late-night cabaret and hear five more remarkable performers. Read more... |
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