Classical Features
Insomnia: A Nocturnal Voyage in SongWednesday, 05 September 2012
Classical albums are seldom biographical, but Insomnia turned out to be a much more personal journey than I first realised. In the summer of 2010, I was a prize winner in the Ernst Haefliger Competition in Bern, Switzerland. Part of the award was a debut recital in the Lucerne International Festival the following year. The festival theme for 2011 was “Nacht”. That’s it; one tiny word that encompasses so much. Read more...
|
Opinion: How much noise is too much noise in the classical concert-hall?Tuesday, 31 July 2012
We’ve all been there: the persistent sweet-unwrapper during a Beethoven slow movement, the mobile-phone screen glowing at the corner of your field of vision throughout King Lear, the fidgeter who seems to drop their programme every time the music subsides to pianissimo. But where do we draw the (battle) line between ambient noise and outright intrusion? And how, more importantly, should we address these concerns in the heat of the moment? Read more... |
theartsdesk in Verbier: Flowers, Cows and Musical StarsFriday, 27 July 2012
Can this really be only an afternoon’s travelling away from traffic-choked London? I’m waist-deep in wild blue lupins on a verdant Swiss mountain looking for a concert hall. Read more... |
theartsdesk Olympics: The Golden AgeThursday, 19 July 2012
Rio Ferdinand did four years' ballet training as a child, England manager Graham Taylor sent the national squad to dance classes, while the Royal Ballet once ran an active football team. Ballet and football have long been secret lovers backstage. But they have only been rarely seen out together in public. Read more... |
theartsdesk in Istanbul: East meets West at the Istanbul Music FestivalSunday, 08 July 2012
There’s a peculiarly boundless quality to Istanbul – a city where private domestic life sprawls publicly out across pavements and parks, the bustle of the city seeps out beyond land onto the commercial waterways of the Bosphorous, and cats stroll casually in and out of concert halls. Read more... |
Interview: Film composer Ilan EshkeriThursday, 21 June 2012
At his studio near White City in West London (he did say it was Notting Hill) Ilan Eshkeri’s is adding a scratchy cello to a key moment in Ralph Fiennes film of Shakespeare’s Coriolanus. It’s the moment the inhabitants of Rome realise that Coriolanus, an exile, is about to attack them. Read more... |
theartsdesk in Raploch: Sistema Scotland Makes Big NoiseSunday, 17 June 2012
For perhaps the most widely cheered orchestra on the planet, it doesn’t look like much of a concert venue. Fenced in with wire, flanked by a road which leads away to low-rise housing, a scrappy patch of scrubland stretches over a few nondescript acres. Indeed the only hint of anything to caress the eye is the looming silhouette of Stirling Castle on an adjacent promontory. Read more... |
theartsdesk in Bergen: Sunny Festival in the City of RainSunday, 03 June 2012
“Bergen is the most beautiful city in the world when it doesn’t rain,” said one Norwegian to me. There was a pause. “It always rains in Bergen.” Mention Norway’s second city to anyone and the first reaction is always the same. They don’t describe the UNESCO World Heritage Site that is the quayside Bryggen quarter, nor the city’s astonishing outlook – caught between mountains and sea – nor even the annual Bergen International Festival, the largest festival of its kind in the Nordic countries... Read more... |
theartsdesk in Istanbul: Borusan boosts the ArtsSunday, 08 April 2012
The workers at the smart Borusan Holdings head office are expected to be tidy, especially on a Friday. That’s because their office doubles up as an art gallery, the Borusan Contemporary, at weekends. There are some paintings, like the attractive wall paintings of Jenny Zenuik, although the main thrust of the collection is up-to-the-minute electronic art. Read more... |
theartsdesk in Abu Dhabi: The Art of DiplomacySunday, 01 April 2012
You can’t walk down the street in central Abu Dhabi. Not because of any danger or prohibition, but simply because there just aren’t any pavements yet. Look out of any one of the high-rise buildings that dominate the city, and you’ll see a landscape modestly veiled in the dust of construction. Roads, schools, hospitals and inevitably hotels are all emerging from the desert at a rate that renders the city map unrecognisable every six months. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
theartsdesk on Vinyl 88: Violent Femmes, Ringo Starr, ARXX,...
VINYL OF THE MONTH
Buñuel Mansuetude (Skin Graft/Overdrive)
...
RAM Song Circle, Wigmore Hall review - excellent young music...
After a week of illness, heading out into the Sunday afternoon cold and rain was not something I was overjoyed to undertake. But in the event this...
Album: Gary Kemp - This Destination
If I’d listened to this blind, I would have absolutely no idea who it was by. This isn’t the voice I remember...
Music Reissues Weekly: New York Dolls - Showdown At The Merc...
“A band you’re gonna like, whether you like it or not.” The proclamation in the press ads for the New York Dolls’ debut album acknowledged they...
Flight Risk review - the sky's the limit for Michelle D...
Director Mel Gibson probably made Flight...
Presence review - Soderbergh's haunted camera
The camera is the ghost in Steven Soderbergh’s 35th feature, waiting in a vacant house for its buyers, ambitious Rebecca (Lucy Liu, ...
Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...
There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...
An Interrogation, Hampstead Theatre review - police procedur...
In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...
Album: ALT BLK ERA - Rave Immortal
The utopian messiness of 1990s dance music culture is now so far...