Classical Features
Sir Colin Davis: 'He simply knew how Mozart should go'Tuesday, 16 April 2013
Colin was an enormous influence in my youth and I’d like to share some memories of those days. It was over 60 years ago, on a Sunday afternoon in May 1952, that I attended a concert performance of The Marriage of Figaro given by Chelsea Opera Group in a school hall in Hills Road, Cambridge. The singers were all young, gifted and sparky. The orchestra purred. Read more...
|
Sir Colin Davis, 1927-2013Monday, 15 April 2013![]()
In its ebbs, flows and final grand flourishing, the career of Sir Colin Davis was reminiscent of some of the great musical masterpieces with which he became closely identified. From Mozart to Tippett, Berlioz to Beethoven and Sibelius, Davis proved himself one of the major international conductors of the post-war era. Read more... |
Newcomers triumph at BBC Music Magazine AwardsWednesday, 10 April 2013![]()
We had, as presenter James Naughtie so wryly remarked, set aside our mourning weeds for the low-key glamour of celebrating a far from moribund classical recording industry. Movers, shakers and humble BBC Music Magazine contributors all shifted from the airy dining space at the ever-accommodating Kings Place yesterday - I won't forget the mint marshmallow - and descended to woody Hall One for the magazine's 2013 awards. Read more... |
Leif Ove Andsnes, Wigmore HallWednesday, 10 April 2013![]()
If ever there was such a thing as a safe pair of pianistic hands then they would belong to Norway’s Leif Ove Andsnes. There’s a cool, patrician control to everything he does that speaks to thorough preparation, careful interpretative choices and immaculate technique. Thrill-seekers and risk-takers may want to look elsewhere, but for everyone else Andsnes offers the chance to hear cleanly through to the skeleton of a work. Read more... |
Interview: Stephan Micus, the world's largest one-man bandWednesday, 03 April 2013![]()
"Multi-instrumentalist" is a catch-all phrase that usually means somebody who plays flute, clarinet, sax and perhaps a bit of guitar. When it comes to Stephan Micus, he’s a multi-instrumentalist of an altogether different calibre. He plays hundreds of instruments – he doesn’t know how many – which he’s collected and commissioned from all over the world. Read more... |
Filming John AdamsTuesday, 05 March 2013![]()
When I first approached John Adams with the idea of making a documentary about him, he gently but firmly turned me down: he had unequivocally bad memories of a film made a few years back, an uncomfortable ride with a director who thought nothing of editing a sequence in which John spoke about one piece, while a completely different one was being played to illustrate his comments. When John had objected, the director in question had dismissively refused to make any changes. Read more... |
Q&A Special: Conductor Wolfgang Sawallisch on Strauss and WagnerSunday, 03 March 2013![]()
In many ways the most well-tempered of conductors, Wolfgang Sawallisch (1923-2013) brought a peerless orchestral transparency and beauty of line to the great German classics. Even the most overloaded Richard Strauss scores under his watchful eye and ear could sound, as the composer once said his opera Elektra should, “like fairy music by Mendelssohn”. Read more... |
Manchester International Festival 2013 PreviewFriday, 01 March 2013![]()
Yesterday Kenneth Branagh was thanking Manchester – saying that he felt he had “come of age” the previous time he had performed Shakespeare in the city 25 years ago, the audience being so “generous, quick-witted and lively". Read more... |
Save The Conservatoire: Blackheath and the Arts Funding ClimateMonday, 11 February 2013![]()
As a south-east Londoner and a parent, I was overjoyed recently to discover the Blackheath Conservatoire and its range of family-friendly musical activities – and sad to realise that like so many arts institutions in the current climate it is under threat of closure. It is in fact in the very final stages of a fundraising drive to refinance its debt and prevent its demise – moving steadily towards a donation target of £175,000 needed by the end of this month. Read more... |
Q&A Special: Memories of LutosławskiSaturday, 26 January 2013![]()
While the history of 20th-century music is undoubtedly the history of the 20th century – from the decadent expressionism of fin-de-siècle Berlin to the imagined surrealist worlds of 1920s Paris – few composers lived or wrote the century quite as vividly as Witold Lutosławski. He is celebrating his centenary this year. Read more... |
Pages
inside classical music
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

When Neil Young releases a new album, you can be reasonably sure that you’ll get either a disc of melancholy singer-songwriter fare or a set of...

The slightly overwrought subtitle, "How Digital Language Created and Connects Our World and Shapes Our Future", gives a...

Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first...

It’s a sign of the inroads that the term “immersive” has made in theatreland that it now gets jokily namedropped at the...

This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in...

If, like me, chamber music isn’t your most frequent home, there are bound to be revelations of what for many are known masterpieces. Mine in...

The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the 1983 Brink’s-...

Eva Quartet are four outstanding Bulgarian voices of polyphonic purity and depth, drawn from the legendary choir Le Mystere des Voix Bulgares, who...