Classical Features
Performing Die Schöne MüllerinThursday, 22 July 2010
Few great works of art are as disarming as Schubert’s Die Schöne Müllerin. With its folksong-like melodies and deceptively simple harmonic palate, it is quite hard to account for the cycle’s profound emotional effect. How is it that over the course of 20 songs we fall under the spell of a naïve and sentimental lover, a slightly effeminate, self-obsessed boy who, no sooner than he sees a rival, despairs and drowns himself? Read more... |
Remembering Charles MackerrasWednesday, 21 July 2010
Perhaps we can drop the "sir" here, as he preferred, though most of the contributors below only knew him in his knighted later years. No death of a musical great, at least since the departure of Mstislav Rostropovich, has caused such a flurry of tributes and reminiscences, even if many of us were long prepared for the end and marvelled at the way he soldiered on to give more great performances in his final year. Read more... |
Verbier Festival: an Alpine symphonyMonday, 19 July 2010
It becomes increasingly hard for a music festival to stick out from the crowd these days. But high culture, high summer and high altitude create a rousing major chord each July in Verbier, which can genuinely claim to be the only festival you reach by cable car. When you get up there you are greeted by an alpine symphony of glaciers slithering off peaks and pastures clanging with cowbells. Streams descant and trill along gutters between chalets. Read more... |
BBC Proms 2010: theartsdesk recommends...Friday, 16 July 2010
It's that time again. The BBC Proms - in classical music terms, the greatest show on Earth - begin tonight with Mahler's massive Eighth Symphony. From Bryn Terfel in Wagner on the second night of the Proms to Sir John Eliot Gardiner and Monteverdi's Vespers on the second-to-last night. theartsdesk's music writers choose the performances they're looking forward to. Read more... |
All Das Jazz: the Berlin Phil swing with Wynton MarsalisTuesday, 15 June 2010
"It was only on Monday afternoon that the final scores of three of the movements were put into my hands," says Sir Simon Rattle, chuckling at the memory and casting a mock glance of disapproval at the composer and trumpeter Wynton Marsalis who is sitting next to him looking rather sheepish. "It makes us realise that composers are human beings just like we are," the conductor adds. "I'm just praying I get all my tempos right by tonight." Read more... |
Nigel Kennedy's Polish AdventureMonday, 14 June 2010
Brilliant though it was to be shooting an Imagine film for BBC One, we did experience the occasional tremor of foreboding about making a programme with Nigel Kennedy. We (that's me and director Frank Hanly) had a bit of previous with Nigel - I'd done several print interviews with him, and we'd shot a couple of short films with him for EMI. Read more... |
theartsdesk in Rome: Orchestral Manoeuvres on the Dark SideSaturday, 12 June 2010
One of the downsides of the international media’s obsession with the crimes and misdemeanours of Silvio Berlusconi and his make-it-up-as-you-go-along style of government is that anything that doesn’t fit in with the overall narrative of the crazed, corrupt media mogul destroying an otherwise magnificent, well-organised country, tends not to make the headlines. Read more... |
European Festivals 2010 Round-UpSunday, 06 June 2010
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theartsdesk in Istanbul: Salzburg, Here We ComeMonday, 31 May 2010
At a sprawling car plant in the suburbs of north-eastern Istanbul mechanics are busy repairing camshafts and dynamos, applying blow torches to the undercarriages of a range of luxury cars and retouching paintwork. Visitors to the building are met by signs reading: “Sheer Driving Pleasure” and “Check Your Engine”. Upstairs, away from the mechanical buzz, fine-tuning of a completely different kind is going on as the Borusan Istanbul Philharmonic Orchestra is taken through its paces by its... Read more... |
The Seckerson Tapes: Petrenko's Shostakovich EightMonday, 03 May 2010
The charismatic St Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as principal conductor in 2005. With both standards and audiences on the up he has embarked upon his first major recording project – to record all 15 Shostakovich symphonies for the Naxos label. The two previous releases have received tremendous notices and in this exclusive podcast he talks about the project in general and the latest...
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Istanbul, Turkey, 3-30 JunePages
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