Haitink, Chicago SO, Royal Festival Hall | reviews, news & interviews
Haitink, Chicago SO, Royal Festival Hall
Haitink, Chicago SO, Royal Festival Hall
Bernard Haitink fails to inspire with unsmiling Haydn and portentous Bruckner
Friday, 25 September 2009
Bernard Haitink: a safe pair of hands
The Bruckner half of the programme appeared to have come early as Bernard Haitink and the Chicago Symphony sternly, doggedly, processed through the introduction of Haydn’s Symphony No.101 ‘Clock’. It was a portent of things to come. The prognosis was not good. A case of terminal seriousness would eventually render the performance irreversibly moribund.
The Bruckner half of the programme appeared to have come early as Bernard Haitink and the Chicago Symphony sternly, doggedly, processed through the introduction of Haydn’s Symphony No.101 ‘Clock’. It was a portent of things to come. The prognosis was not good. A case of terminal seriousness would eventually render the performance irreversibly moribund.
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