tue 16/09/2025

Classical Reviews

LPO, Renes, RFH review - solid Bruckner lacking in nuance

Gavin Dixon

This concert was to have been conducted by Stanisław Skrowaczewski, who died in February. Though futile, it’s hard not to speculate about what could have been, especially given his spectacular Bruckner performances with the London Philharmonic in recent years.

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BBCSO, Storgårds, Barbican review – Jolas intrigues, Mahler 4 disappoints

Gavin Dixon

Betsy Jolas is a pioneer, the programme for this BBC Symphony Orchestra concert told us, and she’s certainly unique. Now 91, she has been following her own course for many decades, an associate of the 1960s French avant-garde, but never a subscriber to its doctrines. Her concerto for piano and trumpet, Histoires vraies (2015), here received its UK premiere.

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Dmitri Alexeev, St John's Smith Square review - a Titan at 70

David Nice

You won't have seen much of magisterial Russian pianist Dmitri Alexeev recently, unless you happen to be a student at the Royal College of Music, where he is Professor of Advanced Piano Studies (they were out in force last night, cheering enough to elicit five encores).

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Hugo Ticciati, Manchester Camerata, Manchester Cathedral review - spirituality, no spooks

Robert Beale

Manchester Camerata chose All Hallows’ Eve for a concert of (in some part) "holy" minimalism. Arvo Pärt’s Silouan’s Song began it, and his Cantus in Memoriam Benjamin Britten ended it. They headlined it "Spiritualism and Minimalism", but I think what they really had in mind was spirituality. No "one knock for yes" or anything like that, anyway.

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Leif Ove Andsnes, RFH review - interior magic from a master colourist

David Nice

Such introspective subtlety might be mistaken for reticence. But from the rare instances when the Norwegian pianist Leif Ove Andsnes lets rip - and they're never forced - you know he's wielding his palette with both skill and intuition, waiting for the big moment to make its proper mark.

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Soltani, West-Eastern Divan Orchestra, Barenboim, RFH review - passionate pilgrimages

David Nice

A legendary name and the chance to change the face of a cruel condition set the stakes high for what Prince Charles, in his programme preface for this Southbank spectacular, told us was called the Stop MS Jacqueline du Pré Tribute Concert.

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Bavouzet, BBCSO, Oramo, Barbican review - playing the long game in Sibelius

Peter Quantrill

Perhaps Sibelius did the right thing, signing off Tapiola in 1926 and then all but closing his account, spending the next three decades sitting and drinking.

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Orpheus Caledonius, Brighton Early Music Festival review - a thrilling meeting of musical clans

alexandra Coghlan

In 1725 a collection of some 50 songs was published by one William Thomson. You might not know his name, or even the names of the songs, but given the first bar of most I’m betting you could hum them from beginning to end. The work?

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October, LSO, Strobel, Barbican review - Eisenstein with steel score

David Nice

Forget the ersatz experience of Sergey Eisenstein's mighty silent films accompanied by slabs of Shostakovich symphonies composed years later. This collaboration between the London Symphony Orchestra and Kino Klassika is as close as we can ever come to hearing the massive score composed by Austrian-born Edmund Meisel for the greatest of the master's 1920s films.

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Crowe, The English Concert, Bicket, Milton Court review - Mozartian prima-donna perfection

David Nice

Singing students from the Guildhall School should have been issued with a three-line whip to fill the inexplicably half-empty Milton Court concert hall for last night's charmer. After all, every musician, and not just sopranos, should know that this is how it ought to be done. True, an effervescent personality like Lucy Crowe's can't be simulated. But every other respect of her stunningly sung and varied Mozart...

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