Classical Reviews
OAE, Christie, St John's Smith SquareWednesday, 05 July 2017
William Christie chose a suitably light and breezy programme for this warm summer evening’s concert at St. John’s Smith Square. The concert was titled “Bach goes to Paris”, with works chosen to highlight the connections between the German master and his French contemporaries. Read more... |
Ensemble InterContemporain, Wigmore HallWednesday, 21 June 2017
The Paris-based Ensemble InterContemporain brought a wide-ranging programme to the Wigmore Hall. Read more... |
Kuusisto, London Chamber Orchestra, Ashkenazy, Cadogan HallThursday, 15 June 2017
Tears were likely to flow freely on this most beautiful and terrible of June evenings, especially given a programme – dedicated by Vladimir Ashkenazy to the victims of the Grenfell Tower fire – already prone to the elegiac. Read more... |
Britten Sinfonia, Adès, BarbicanWednesday, 07 June 2017
Thomas Adès and the Britten Sinfonia here reached the most revolutionary works in their twin portrait season of Gerald Barry and Beethoven: Barry’s Chevaux-de-frise and Beethoven’s "Eroica". Read more... |
Gurrelieder, Hallé, BBCPO, Elder, Bridgewater Hall, ManchesterMonday, 05 June 2017
It may not have had the symbolism of the Ariana Grande concert just down the road, but in its own way the joint Hallé/BBC Philharmonic performance of Schoenberg’s Gurrelieder said as much about Manchester as the rock jamboree did. Read more... |
Evgeny Kissin: Memoirs and Reflections review - Russian education, European conviction, Jewish heritageSunday, 04 June 2017
"Generally speaking," writes Evgeny Kissin in one of the many generous tributes to those whose artistry he most admires, "the mastery of [Carlo Maria] Giulini is exactly what is dearest of all to me in art: simplicity, depth and spirituality". The same is true of the personality revealed in this slim but by no means undernourishing volume from one of our time's most fascinating pianists. Read more... |
Little, CBSO, Seal, Symphony Hall BirminghamFriday, 02 June 2017
The CBSO is justifiably proud of its association with Benjamin Britten. There’s rather less proof that he reciprocated, dismissing the orchestra as "second-rate" after it premiered his War Requiem in 1962. Read more... |
Richard Goode, Royal Festival HallThursday, 01 June 2017
How to change the way we hear Chopin and Beethoven: play Bach first. Read more... |
Britten Sinfonia, Adès, Milton CourtWednesday, 31 May 2017
Thomas Adès and the Britten Sinfonia are embarking on a three-year project, coupling the symphonies of Beethoven with works by contemporary Irish composer Gerald Barry. Adès is keen to highlight the radical vision of the two composers, so expect stark juxtapositions and uncompromising readings. Read more... |
LSO, Haitink, BarbicanTuesday, 30 May 2017
Bernard Haitink is one of the great Bruckner conductors of our time. His interpretations are expansive yet vivid and always go straight to the heart of the music. But he is also an old man, and physical frailty is increasingly inhibiting his work, reducing the spontaneity of his communication with the orchestra. The results are both frustrating and inspiring, with details lost and clarity of texture often compromised. Read more... |
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