sat 25/01/2025

Classical Reviews

All Together Now: The Great Orchestra Challenge, BBC Four

graham Rickson

The ingredients should be familiar by now. A plucky range of contestants drawn from across the geographic and social spectrum. A selection of interesting back stories. Demanding judges, their prickly edges softened by a fluffier presenter.

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Edinburgh Festival 2016: Così fan tutte, Pekka Kuusisto, Gurrelieder

David Kettle

It began with opera – Cecilia Bartoli’s pretty much universally adored Norma from Salzburg. And the Edinburgh International Festival ended with opera, too – Mozart’s Così fan tutte, in a co-production with the Aix-en-Provence Festival. Like Norma, it was an updating to more modern times – but one that in this case prompted the International Festival to send out a letter warning of the production’s explicit adult content.

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Prom 55: Hannigan, CBSO, Gražinytė-Tyla

alexandra Coghlan

If ever there was a Prom to put London’s classical crowd in their place, to remind us (as those outside the capital so frequently and justifiably do) that the city isn’t the be-all and end-all of concert-going, then this was it. It featured three major debuts – all of them overdue, two of them musical hand-me-downs from Birmingham.

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Classical CDs Weekly: Beethoven, Shostakovich, Tommy Smith

graham Rickson


Beethoven: Symphonies 5-8 Copenhagen Philharmonic Orchestra/Lan Shui (Orchid)

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Prom 53: Stadler, RLPO, Petrenko

Helen Wallace

He still looks every inch the golden boy, but Vasily Petrenko has just turned 40, and next month celebrates a decade with the Royal Liverpool Philharmonic. Time well spent, as this impressive evening revealed: after years of Russian immersion under his crisp command, here’s a band who can conjure Shostakovich’s smoudering darkness, and all the glitter and the grit in Rachmaninov’s third symphony.

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Prom 48: Weilerstein, BBC Scottish SO, Pintscher

Peter Quantrill

If you go down to the woods today, to be sure of a big surprise is a contradiction in terms, but this pair of sylvan adventures by Matthias Pintscher and Mendelssohn was another example of the discreetly sensitive programme-building which has distinguished the present season of BBC Proms.

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Proms at...Roundhouse: London Sinfonietta, Gourlay

Helen Wallace

Some enchanted afternoon in Camden Town… the Proms returned to the Roundhouse after four decades with a dreamlike fusion of sound, space and light. Ron Arad’s Curtain Call – a 360° installation of 5,600 sillicon rods – encircled the London Sinfonietta and audience in its luminescent embrace, a haze of microtonal music slinking through a sequence of glimmering projections.

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Edinburgh Festival: Boulez celebration, Andreas Ottensamer, Stephen Hough

David Kettle

Remarkably, Pierre Boulez made his first appearance at the Edinburgh International Festival way back in 1948, at only the Festival’s second ever outing, in charge of music for director Jean-Louis Barrault’s production of Hamlet. He remained a regular visitor across the decades, and following his death in January, the EIF’s Pierre Boulez: A Festival Celebration was a late but clearly necessary addition to the Festival’s already bulging classical programme.

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Prom 43: Argerich, West-Eastern Divan Orchestra, Barenboim

David Nice

It's not so long since Daniel Barenboim sat around a table with Israeli officials telling him that Wagner couldn't be played in the homeland when someone's mobile fanfared the "Ride of the Valkyries", demolishing the opposition's case.

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Prom 39: Johnston, BBCSO, Oramo

Sebastian Scotney

The mid-way point of the BBC Proms has just passed. Attention during the eight-week season will inevitably tend to gravitate towards the novelties, “events” and one-offs, but one pre-condition for the summer to be going well is that the Proms' backbone ensemble, the BBC Symphony Orchestra, which plays no fewer than 12 of the concerts, has to be on good form.

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