wed 30/04/2025

Classical Reviews

Classical CDs Weekly: Josquin, Mozart, Set in Stone

graham Rickson


Josquin: Masses The Tallis Scholars/Peter Philips (Gimmell)

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Wallfisch, LPO, Vänskä, RFH

David Nice

Osmo Vänskä isn't by any means the only Finn who conducts magnificent Sibelius. Sakari Oramo is the BBC Symphony Orchestra's property, but the London Philharmonic could have gone for a change and invited Vänskä's equally impressive and even more experienced successor at the Lahti Symphony Orchestra, Okko Kamu. Still, they played safe by repeating their success with this combination in 2010, adding British string concertos, and why not?

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Jamie Barton, Wigmore Hall

Sebastian Scotney

American mezzo-soprano Jamie Barton has a wonderful, characterful voice, with apparently effortless and even tone production and control. She seems to be able to spin out a quiet phrase – and just hold it for ever.

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Classical CDs Weekly: Leo, Martinů, Schubert

graham Rickson


Leonardo Leo: Sacred Works Ensemble &cetera/Ulrike Hofbauer (soprano and direction) (Deutsche Harmonia Mundi)

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Zehetmair, LPO, Jurowski, RFH

Peter Quantrill

This is how new and modern music should be done. In the London Philharmonic, we had an orchestra well-prepared to meet technical challenges and resolved to making sense from them. Vladimir Jurowski is a conductor who places faith in composers and audiences, who can welcome listeners and guide them through the evening as a congenial master of ceremonies rather than dessicated college lecturer.

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MacMillan's Stabat Mater, The Sixteen, Britten Sinfonia, Barbican Hall

David Nice

No living composer writes more compellingly for choir or for strings than James MacMillan (a surprisingly accepted "Sir" is now an optional addition to the name). This beautifully planned programme's first half gave us the former, a cappella choral music at its most masterly in the setting of the Miserere premiered by The Sixteen in 2009, before Vaughan Williams's Fantasia on a Theme of Thomas Tallis lay down the gauntlet for the latter.

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Smith, Wyn-Rogers, Philharmonia, Pons, RFH

Gavin Dixon

The Philharmonia’s Sunday concert wasn’t quite the event they’d planned. Christoph von Dohnányi scored a hit last season with Schubert's Ninth Symphony, so his reading of the Eighth seemed an ideal way to begin. But Dohnányi withdrew early on, leaving the work in the less inspiring hands of Josep Pons.

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Classical CDs Weekly: Batzner, Floyd, Mahler

graham Rickson


Jay C. Batzner: as if to each other… R. Andrew Lee (piano) (Irritable Hedgehog)

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Icebreaker and BJ Cole, Milton Court

Helen Wallace

Call it re-analogification, de-digitisation or perhaps just plain reverse-engineering, Icebreaker’s set at Milton Court was all about reclaiming the electronic for hoary-handed instrumentalists. Their skills are well-honed: from Anna Meredith to Steve Martland to Kraftwerk, with an inspired side-order of Scott Walker, they conjured propulsive rhythmic lines and saturated layers of harmony from inauspicious sources – pan-pipes, soprano sax, a single cello, bass drum.

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Hunt, London Firebird Orchestra, Bloxham, St Paul's Covent Garden

David Nice

It's harder for young professional musicians to be judged in standard repertoire – the very greatest music, in short – than to make their mark tackling the unknown in a wacky venue. High levels of energy and technical skill married to interpretations with something to say are what it takes, and what we got from the London Firebird Orchestra last night.

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