sat 21/06/2025

Classical Reviews

Classical CDs Weekly: Brahms, Stephen Hough, Joby Talbot, Schoenberg

graham Rickson

This week we've a glittering, shimmering ballet score with an aquatic theme, and a brilliant British pianist shows off his compositional skills. Plus, in a week where we all need cheering up, 20th-century music's scariest genius shows that he had a fully developed sense of humour.

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BBC Proms: Lazić, Lloyd Webber, BBC Philharmonic, Sinaisky

David Nice Vassily Sinaisky: searching out delicate colour and arching line in Elgar

Several Prommers fainted, possibly out of boredom, in a longer than ever first movement of the Brahms Violin Concerto. The boredom, palpable around me, came not from pianist Dejan Lazić transcribing the fiddle part for his own pleasure - a communicative musician might have made us forget the original - but from the failure of Brahms's song to soar. Dyspeptic by half-time, I found everything awry: several obscure concert overtures would have worked better than Frank Bridge's Rebus, I...

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Caractacus, Worcester Cathedral, Three Choirs Festival

stephen Walsh

“The text of Britain’s teaching, the message of the free…”. No, not the Last Night of the Proms or the Olympic Games ahead of time. This is the final chorus of Elgar’s concert-length cantata Caractacus, which was given a vigorous work-out in this star concert of the Three Choirs Festival in Worcester Cathedral under Sir Andrew Davis.

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BBC Proms: Ensemble Modern, Steve Reich

Peter Culshaw

One thing became clearer to me last night – just how much Steve Reich has borrowed from world music in his compositions – we had the flamenco-tinged ClappingElectric Counterpoint, using Central African guitar lines, and Music for 18 Musicians, a mix of West African rhythms, Indonesian gamelan and other elements.

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BBC Proms: Ott, Royal Stockholm Philharmonic Orchestra, Oramo

Geoff Brown

What a difference a change of scene makes. During Sakari Oramo’s 10 years at the helm of the City of Birmingham Symphony Orchestra he wasn’t exactly diffident; but you felt you could invite him to tea without any crockery getting broken. Now, I’m not so sure. Last night at the Proms, conducting one of his three current babies, the Royal Stockholm...

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BBC Proms: Tetzlaff, BBCSO, Gardner

alexandra Coghlan

This year’s Choral Sundays at the Proms are a wonderfully mixed bag. Mighty choral touchstones are represented by Mendelssohn’s Elijah, both the Verdi and Mozart Requiems and Beethoven Missa solemnis, but there’s also an enticing strand of curiosities. Looming largest among these has of course been Brian’s Gothic Symphony, but emerging now from its sprawling shadow are less obscure but no less interesting works – Britten’s Spring Symphony, and last night Mahler’s...

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BBC Proms: National Youth Orchestra, Jurowski/ Nigel Kennedy

alexandra Coghlan

Youth was everywhere to be seen at the Proms last night. Whether in the massed ranks of Britain’s National Youth Orchestra, soloist Ben Grosvenor (even younger than the precocious Benjamin Britten when he debuted his own Piano Concerto in 1938), Prokofiev’s Romeo and Juliet, or DJ-turned-composer Gabriel Prokofiev, it was an evening celebrating the scope of the teenage experience. Even the Late Night Prom joined in the party, coming courtesy of Nigel Kennedy, still surely the oldest...

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BBC Proms: Simón Bolívar Symphony Orchestra, Dudamel

Geoff Brown

Marley & Me: that’s the film about living with a neurotic dog, out now on DVD. And Mahler & Me? It could be the Gustavo Dudamel story. Conducting Mahler was what first brought everyone’s favourite Venezuelan to world attention, when he won the 2004 Mahler Competition in Bamberg.

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BBC Proms: Martinpelto, BBC Scottish Symphony Orchestra, Runnicles/ Tallis Scholars

Geoff Brown

Leonard Tanner, my old choirmaster, used to say that Brahms was a composer with his feet in three different camps: the Baroque period, the Classical period, and the Romantic. Possibly he had a fourth leg too, poking into the music of the future.

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BBC Proms: Little, BBCSO, Davis/ Late Night Grainger

David Nice June Tabor: six minutes of solo transcendentalism in the Albert Hall

They came in their thousands again last night, most – I’m guessing – for “the Elgar”. Lacking faith that Tasmin Little could fill the enormous soul of that most elusive of violin concertos – a prejudice, alas, fulfilled - I put my money on the polytonal jungle Percy Grainger grows from pastoral seeds at the heart of his wacky In a Nutshell...

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