Onegin, Royal Ballet | reviews, news & interviews
Onegin, Royal Ballet
Onegin, Royal Ballet
Ballet-drama by numbers, even with fabulous performances
Thursday, 30 September 2010
Alina Cojocaru and Johan Kobborg: A stellar pair of dance-actors do their damnedestPhotograph © Dee Conway/ROH
One gin is not enough, not two, or even three gins, to make me susceptible to the idea that John Cranko’s ballet Onegin is anything more than a second-league costume drama with a peachy ballerina role in the middle. But it’s box office, and with Alina Cojocaru and Johan Kobborg in the central roles last night for the Royal Ballet's opening salvo of the season, there wasn’t a hair's-breadth spare in the house, every place gone, even the standing ones in the gods where you can only see a sliver of the stage.
One gin is not enough, not two, or even three gins, to make me susceptible to the idea that John Cranko’s ballet Onegin is anything more than a second-league costume drama with a peachy ballerina role in the middle. But it’s box office, and with Alina Cojocaru and Johan Kobborg in the central roles last night for the Royal Ballet's opening salvo of the season, there wasn’t a hair's-breadth spare in the house, every place gone, even the standing ones in the gods where you can only see a sliver of the stage.
He shuts up like a clam on realising that this girl is dull little Jane Eyre, not gorgeous Blanche Ingram
Explore topics
Share this article
Add comment
more Dance
The Dante Project, Royal Ballet review - brave but flawed take on the Divine Comedy returns
Hell and Purgatory get vivid if diffuse music from Thomas Adès, but Heaven is pallid
The Limit, Linbury Theatre review - a dance-theatre romcom that lacks both rom and com
An attempt to amplify a playscript with dance suggests the play should be left to speak for itself
Anemoi / The Cellist, Royal Ballet review - a feast of music in a neat double bill
Rachmaninov and Elgar take the laurels in a brace of prize-winning one-act ballets
Song of Songs, Pam Tanowitz/David Lang, Barbican Theatre review - sublime music and intricate dance bring life to a 2,000-year-old love poem
Music and movement co-exist but don't align in a glimmering new take on an ancient text
First Person: Pulitzer Prize winning composer David Lang on the original Jewish love story
Music, poetry and movement combine in 'Song of Songs', now running at the Barbican
Don Quixote, Royal Ballet review - crazy Russian-Spanish romcom, brilliant dancing
Carlos Acosta's hugely entertaining production launches the season with gusto
Ballet Nights, Lanterns Studio Theatre review - dance gets its own cabaret season
A compered gala packed with fine and varied items, but the idea still needs tweaking
Black Sabbath: The Ballet, Birmingham Royal Ballet, Birmingham Hippodrome review - two very different art forms merge
Carlos Acosta creates shining gold from heavy metal and ballet
Ailey 2, Marlowe Theatre, Canterbury review - young, black and fabulous
The younger sibling of the Alvin Ailey family visits for the first time in 12 years
Alvin Ailey American Dance Theatre, Sadler's Wells review - exhilarating display of a full deck of dance styles
From stately to sexy, these fabulously physical dancers engage every emotion
Matthew Bourne's Romeo + Juliet, Sadler's Wells review - exhilarating dancing, inventive moves
New Adventures creates lovers with tender appeal for a younger generation
Jewels, The Australian Ballet, Royal Opera House review - a sparkling parade of great dancing
David Hallberg's Australians are pitch perfect in Balanchine's masterpiece
Comments
...
...
...