dance
The Sleeping Beauty, Birmingham Royal Ballet, Sadler’s WellsFriday, 18 October 2013
Sometimes it’s better to be lucky than good. Sometimes, of course, it’s even better to be both. And Birmingham Royal Ballet, in their all-too-brief London season, have been both lucky and good. Lucky, because they have Peter Wright’s little jewel of a production to dance; and good because, well, they’re good in it. Read more...
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Bintley Triple Bill, Birmingham Royal Ballet, Sadler’s WellsWednesday, 16 October 2013
Is David Bintley the one that got away, the wrong turning the Royal Ballet took in the early 1990s? I have long thought so, and watching their current triple bill, the feeling only grows. Bintley trained at the Royal Ballet School, graduated into Sadler’s Wells (now Birmingham Royal Ballet), and became house choreographer for the Royal in 1985. Read more... |
Atomos, Wayne McGregor|Random Dance, Sadler's Wells TheatreThursday, 10 October 2013
Some choreographers get turned on by stories; others by music; yet others by the unpredictable magic of rehearsal room chemistry between dancers. Wayne McGregor, the shaven-headed, lanky, black clad superstar of British contemporary ballet, apparently needs a few research scientists, and a question philosophers have been trying to answer for three thousand years: what is a body? Read more... |
The Culture Show: Sylvie Guillem - Force of Nature, BBC TwoThursday, 10 October 2013
The ballerina Sylvie Guillem was always out on a limb, even when she was the classical star at the Royal Ballet in the '90s and early '00s. She was French, she was tall, she was unbelievably flexible, she was staggeringly charismatic, and she had no fear of setting her terms and saying “non” if they didn’t suit. Read more... |
Don Quixote, Royal BalletTuesday, 01 October 2013
The opening night of the autumn season brings a gala first night, Carlos Acosta’s staging of Petipa’s Hispano-Russo-Austro-Hungarische castanet-fest, Don Quixote, with starry leads (Marianela Nuñez and Acosta himself), a very obviously expensive new production courtesy of West End musical designer Tim Hatley (Shrek and Spamalot), and an amped-up re-orchestrated score... Read more... |
Triple Bill, Cedar Lake Contemporary Ballet, Sadler's WellsSaturday, 28 September 2013
Cedar Lake Contemporary Ballet are a lot like the city they hail from. Like New York, they are bold, zingy, multicultural and they move with an irrepressible energy. Read more... |
Dracula, Mark Bruce Company, Tobacco Factory, BristolSaturday, 28 September 2013
The rich cocktail of sex, bestiality and possession that lies at the heart of the vampire myth is a perennial crowd-pleaser, a surefire frightener set in an all-too-familiar discomfort zone. Mark Bruce’s rich and reference-laden take on Bram Stoker’s 1897 classic presents a Transylvanian count who is both Everyman and Other. Read more... |
Thinking With the Body, Wellcome CollectionThursday, 19 September 2013
While the main gallery is closed for renovation, the Wellcome Collection has taken the opportunity to mount a fascinating upstairs show exploring the way choreographer Wayne McGregor collaborates with scientists. Read more... |
Flamenco: Gypsy Soul, BBC FourMonday, 26 August 2013
Here's an association test - what's next in the sequence: flamenco, gypsy, soul? Yes, you win the free tourist trip to Andalucía along with writer Elizabeth Kinder, with whom you will almost certainly enjoy weak sangria and tapas while stumbling amusingly in bad Spanish, and you won't be troubled by a single unfamiliar thought about this alluring form of dance, music and poetic song. Read more... |
The Flames of Paris, Bolshoi Ballet, Royal Opera HouseMonday, 19 August 2013
The Bolshoi left it till last to be most itself, to dance a ballet that is truly of its blood, its seed - its closing on Alexei Ratmansky's The Flames of Paris will leave much happiness in the memory to override the problematic productions of classics, the unidiomatic Balanchine and the awful backstage events. Read more... |
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