fri 27/06/2025

dance

Atomos, Wayne McGregor|Random Dance, Sadler's Wells Theatre

Hanna Weibye

Some choreographers get turned on by stories; others by music; yet others by the unpredictable magic of rehearsal room chemistry between dancers. Wayne McGregor, the shaven-headed, lanky, black clad superstar of British contemporary ballet, apparently needs a few research scientists, and a question philosophers have been trying to answer for three thousand years: what is a body?

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The Culture Show: Sylvie Guillem - Force of Nature, BBC Two

Ismene Brown

The ballerina Sylvie Guillem was always out on a limb, even when she was the classical star at the Royal Ballet in the '90s and early '00s. She was French, she was tall, she was unbelievably flexible, she was staggeringly charismatic, and she had no fear of setting her terms and saying “non” if they didn’t suit.

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Don Quixote, Royal Ballet

Judith Flanders

The opening night of the autumn season brings a gala first night, Carlos Acosta’s staging of Petipa’s Hispano-Russo-Austro-Hungarische castanet-fest, Don Quixote, with starry leads (Marianela Nuñez and Acosta himself), a very obviously expensive new production courtesy of West End musical designer Tim Hatley (Shrek and Spamalot), and an amped-up re-orchestrated score...

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Triple Bill, Cedar Lake Contemporary Ballet, Sadler's Wells

Katie Colombus

Cedar Lake Contemporary Ballet are a lot like the city they hail from. Like New York, they are bold, zingy, multicultural and they move with an irrepressible energy.

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Dracula, Mark Bruce Company, Tobacco Factory, Bristol

mark Kidel

The rich cocktail of sex, bestiality and possession that lies at the heart of the vampire myth is a perennial crowd-pleaser, a surefire frightener set in an all-too-familiar discomfort zone. Mark Bruce’s rich and reference-laden take on Bram Stoker’s 1897 classic presents a Transylvanian count who is both Everyman and Other.

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Thinking With the Body, Wellcome Collection

Sarah Kent

While the main gallery is closed for renovation, the Wellcome Collection has taken the opportunity to mount a fascinating upstairs show exploring the way choreographer Wayne McGregor collaborates with scientists.

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Flamenco: Gypsy Soul, BBC Four

Ismene Brown

Here's an association test - what's next in the sequence: flamenco, gypsy, soul? Yes, you win the free tourist trip to Andalucía along with writer Elizabeth Kinder, with whom you will almost certainly enjoy weak sangria and tapas while stumbling amusingly in bad Spanish, and you won't be troubled by a single unfamiliar thought about this alluring form of dance, music and poetic song.

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The Flames of Paris, Bolshoi Ballet, Royal Opera House

Ismene Brown

The Bolshoi left it till last to be most itself, to dance a ballet that is truly of its blood, its seed - its closing on Alexei Ratmansky's The Flames of Paris will leave much happiness in the memory to override the problematic productions of classics, the unidiomatic Balanchine and the awful backstage events.

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Jane Eyre, Shanghai Ballet, London Coliseum

Hanna Weibye

For their first visit to the UK, Shanghai Ballet have brought a narrative ballet based on a Chinese theatrical version of Jane Eyre. It focuses on Bertha Mason, Mr Rochester’s mad wife in the attic, whose fate has often troubled readers, though the Shanghai narrative does not ask about the economic and social conditions of exploitation, the colonialism and sexism that have trapped her.

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Jewels, Bolshoi Ballet, Royal Opera House

Judith Flanders

The Bolshoi’s summer season in London has so far been straight-down-the-line trad: Swan Lake as an opener, Bayadère, Sleeping Beauty. Now, however, with Balanchine’s Jewels, they’ve at least dipped a pointe shoe into the 20th century, if rather cautiously.

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