Film Reviews
Can I get a Witness? review - time to die before you get oldFriday, 19 September 2025
Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, Zoolander. And you have to watch them in a museum. Read more... |
Happyend review - the kids are never alrightFriday, 19 September 2025
Perhaps only in Japan might it be thought the height of delinquency for a bunch of schoolkids is to spend the night sneaking back to school, climbing in and hanging out in a music room. Happyend, a Japanese teen-rebellion story, shows its central posse of disaffected sixth-formers carrying out just such a wild and crazy stunt near the start. |
Spinal Tap II: The End Continues review - comedy rock band fails to revive past gloriesMonday, 15 September 2025
That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for Spinal Tap, since it arrives no less than 41 years after its predecessor, This Is Spinal Tap. The latter has become renowned as a definitive artefact in rock’n’roll history, a smartly deadpan portrayal of a deeply cretinous British heavy metal band in the throes of a shambolic American tour.... Read more... |
Downton Abbey: The Grand Finale review - an attemptedly elegiac final chapter haunted by its pastSaturday, 13 September 2025
It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of posh folk at the turn of the 20th century. The Granthams are facing a lowering of their status, and it’s time to move on out. Read more... |
Islands review - sunshine noir serves an aceFriday, 12 September 2025
From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep you guessing about its characters and plot, but about what kind of film it is we’re watching. Read more... |
Honey Don’t! review - film noir in the bright sunTuesday, 09 September 2025
The Coen brothers’ output has been so broad-ranging, and the duo so self-deprecating, that critics have long had difficulty getting their arms around them. Telling stories of distemper in the American heartland, with the occasional drive-by hit on Old Hollywood, they defined indie cinema for a generation and then perhaps single-handedly released it from its ghetto and merged it into the mainstream. Read more... |
The Courageous review - Ophélia Kolb excels as a single mother on the edgeFriday, 05 September 2025
“I never abandoned you,” says Jule (Ophélia Kolb; Call My Agent!) to her 10-year-old daughter Claire (Jasmine Kalisz Saurer), setting a fairly low bar as far as motherhood is concerned. Read more... |
Little Trouble Girls review - masterful debut breathes new life into a girl's sexual awakeningFriday, 29 August 2025
Taking its title from a Sonic Youth track whose lyrics describe someone who seems good on the outside but is bad inside, this debut feature from the Slovenian director Urska Djukic is a small miracle. Its 90 minutes deftly draw us into the psychology of pubescent teens in a fresh, often funny, always transporting way. Read more... |
Young Mothers review - the Dardennes explore teenage motherhood in compelling dramaFriday, 29 August 2025
“Not even an animal would do what she did.” Jessica (Babette Verbeek) is speaking about her biological mother, who abandoned her when she was a baby, leaving her to grow up in care. Now Jessica, a teenager, is pregnant, just as her mother was, and is obsessed with finding her. She demands answers, as well as love. Read more... |
Oslo Stories Trilogy: Sex review - sexual identity slips, hurts and healsSunday, 24 August 2025
Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at him like he’s a woman. Funny thing, his friend (Jar Gunnar Røise) replies. Yesterday, a male client asked him to have sex, and he did. It felt good. He hasn’t told anyone else, apart from his wife. Read more... |
Sorry, Baby review - the healing power of friendship in the aftermath of sexual assaultFriday, 22 August 2025
“I have a baby in me,” says Lydie (Naomi Ackie; Mickey 17). “What? Right now?” says her friend Agnes (Eva Victor), who may not be entirely thrilled at the news. “Are you going to name it Agnes?” Read more... |
Oslo Stories Trilogy: Love review - freed loveSunday, 17 August 2025
Love was the Norwegian climax of Dag Johan Haugerud’s Oslo trilogy, the most lovestruck vision of his city and boldest prophesy of how to live there, beyond borders and bonds of sexual identity and shame. Released here between Dreams’ meta-memories of swooning first love and Sex’s look at desire undefined by gender, it also settles in Oslo’s heart. Read more... |
Unmoored review - atmospheric Swedish noir set on ExmoorFriday, 15 August 2025
“When have you ever gone off alone?” scoffs Magnus (Thomas W Gabrielsson) when his wife, Maria (Mirja Turestedt), expresses the wish to go to England rather than Morocco for their joint sabbatical. Famous last words. Read more... |
Beating Hearts review - kiss kiss, slam slamThursday, 14 August 2025
Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “Baby” in Dirty Dancing. So you’d think that directors and casting experts could find actors to advance on the screen through that kind of age gap readily enough. Read more... |
Materialists review - a misfiring romcom or an undercooked satire?Wednesday, 13 August 2025
The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet film about a woman torn between her first love, a Korean, and her current one, her American husband. Song is back with another woman at a crossroads, but in Materialists her heroine’s decision is much less painful to make, and far less affecting. Read more... |
Freakier Friday review - body-swapping gone ballisticTuesday, 12 August 2025
Before Freakier Friday there were the two film versions of Freaky Friday based on Mary Rodgers’s lively, perceptive 1972 Young Adult novel, the foremother of all body-swap movie comedies (including Big). Read more... |
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