Film Reviews
April review - powerfully acted portrait of a conflicted doctor in eastern GeorgiaWednesday, 23 April 2025
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output. So while there are no overt political allusions in director Dea Kulumbegashshvili’s April, at its core you sense a tacit and urgent debate about how to square your conscience with the “rules” that govern the country’s conduct. Read more... |
Neil Young: Coastal review - the old campaigner gets back on the trailSaturday, 19 April 2025
As well as generating a ceaseless stream of albums, whether live, studio or culled from his copious archives, Neil Young has also amassed a fairly hefty body of film work, either as director, star or both. Like his music, his movies are created with a kind of confrontational spontaneity, grabbed on the run with rough edges and non-sequiturs still intact. His directorial debut, 1973’s only fleetingly coherent Journey Through the Past, gave early warning of what to expect. Read more... |
The Penguin Lessons review - Steve Coogan and his flippered friendFriday, 18 April 2025
As if penguins didn’t have enough to fret about with impending tariffs on exporting guano to America, here comes Steve Coogan to ruffle their feathers. The Penguin Lessons is a pretty loose adaptation of a memoir by Tom Michell, about his stint as a young English teacher in an ersatz British boarding school in Argentina. Read more... |
Blue Road: The Edna O'Brien Story - compelling portrait of the ground-breaking Irish writerFriday, 18 April 2025
“I was born with the ability and the demon to write. I have been punished for it constantly.” Written and directed by Sinéad O’Shea, this fascinating documentary is a testimony to Edna O’Brien’s rebellious talent, her prolific output – a novel a year for a while – and her star-studded socialising. Read more... |
The Amateur review - revenge of the nerdFriday, 11 April 2025
In a world of macho super-achievers like Jack Reacher and Ethan Hunt, maybe it’s time to hear it for the nerdy guys. The Amateur (based on a novel by Robert Littell) was made once before, in 1981, starring John Savage and Christopher Plummer and directed by Charles Jarrott. Read more... |
Holy Cow review - perfectly pitched coming-of-age tale in rural FranceFriday, 11 April 2025
Director Louise Courvoisier has put herself firmly on the film map with this story of young Totone and his little sister, carving out a living in the modern-day Jura countryside after being orphaned. Think the Dardenne brothers with more sunshine and less angst, a way of life where young calves are transported to market in the front seat of the family car. Read more... |
Patrick McGilligan: Woody Allen - A Travesty of a Mockery of a Sham review - New York storiesWednesday, 09 April 2025
Patrick McGilligan’s biography of Woody Allen weighs in at an eye-popping 800 pages, yet he waits only for the fourth paragraph of his introduction before mentioning the toxic elephant in the room: i.e. the sad fact that, despite never having been charged with – let alone convicted of – any crime, Allen in 2025 is, to all intents and purposes, cancelled. Read more... |
Mr Burton review - modest film about the birth of an extraordinary talentSaturday, 05 April 2025
Many know that the actor Richard Burton began life as a miner’s son called Richard Jenkins. Not so many are aware of the reason he changed his name. This film directed by Marc Evans explains how it came about. Read more... |
Restless review - curse of the noisy neighboursFriday, 04 April 2025
Horror comes in many forms. In writer-director Jed Hart’s feature debut Restless, it’s visited on middle-aged nurse Nicky (Lyndsey Marshal) by thirtyish Deano (Aston McAuley), the superficially affable toxic male who moves in next door with two mates and holds raves in their living room, “all night and every night”. Read more... |
Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängersFriday, 04 April 2025
The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts nearly two hours but is worth the investment since it reveals what the rest of the work tries hard to avoid openly confronting – grief. Read more... |
Four Mothers review - one gay man deals with three extra mothersFriday, 04 April 2025
An Irish adaptation of Garcia Di Gregorio’s acclaimed 2008 film Mid-August Lunch, director Darren Thornton’s Four Mothers is the story of Edward (James McArdle) and his 81-year-old mother Alma (the excellent Fionnula Flanagan), who has had a stroke and can only communicate through an iPad. The stairlift is in constant use, as is her bell. And there are jokes about pouffes. Read more... |
Misericordia review - mushroom-gathering and murder in rural FranceWednesday, 02 April 2025
“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's Misericordia. Though unemployed Toulouse baker Jérémie doesn’t acquire the business that was run by his deceased mentor Jean-Pierre, the film’s ambiguous ending suggests he might still share it with the widow, Martine (Catherine Frot). Unless or until the gendarmes come calling. Read more... |
A Working Man - Jason Statham deconstructs villains againMonday, 31 March 2025
The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds and ends nicked from the local Hobbycraft. In A Working Man, Statham’s second collaboration with writer-director David Ayer (The Beekeeper), the star defends the helpless with pickaxes and sledgehammers. And then he gets really violent. Read more... |
The End review - surreality in the salt mineFriday, 28 March 2025
The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced documentaries, is a surreal examination of a group of individuals isolated from the chaos of a collapsing external world. Sheltered (or trapped?) in an eerily beautiful salt mine are a mother (Tilda Swinton), father (Michael Shannon), son (George MacKay), their doctor (Lennie James), butler (Tim McInnerny), and friend (Bronagh Gallagher). Read more... |
La Cocina review - New York restaurant drama lingers too longWednesday, 26 March 2025
La Cocina is one of those films that cuts an excellent trailer, succinctly delivering just enough characters, plot and visual flair to entice an audience that enjoyed recent dramas set in restaurant kitchens like The Bear, Boiling Point and The Menu. Read more... |
Brief History of a Family review - glossy Chinese psychological thriller feels shallowSaturday, 22 March 2025
Brief History of a Family is a psychological thriller with a story familiar to anyone who has seen Ripley, Saltburn or Six Degrees of Separation. A clever young man with low social status infiltrates a far more privileged family, with devastating results. The difference here is that it's set not among American or European elites but in the booming economy of China with its high-tech citadels and international aspirations. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
April review - powerfully acted portrait of a conflicted doc...
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output...
Greg Davies, Brighton Dome review - chocolate bars and erran...
Greg Davies doesn’t spare himself in his new show, Full Fat Legend, his first tour in seven years after having been busy being...
Bach St John Passion, Academy of Ancient Music, Cummings, Ba...
In a programme note for the St John Passion at the Barbican, the Academy of Ancient Music’s chief executive called their Easter performances of...
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Music Reissues Weekly: 1001 Est Crémazie
It would have been hard to pick up a copy of the album credited to and titled 1001 Est Crémazie in...
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Never make your mind up too soon about any large-scale work by a genius. Back in 2010, I had my doubts about James MacMillan’s first Passion,...
Neil Young: Coastal review - the old campaigner gets back on...
As well as generating a ceaseless stream of albums, whether live, studio or culled from his copious archives, Neil Young has also amassed a fairly...
First Person: St John's College choral conductor Christ...
When I arrived at St John’s College, Cambridge, in April 2023, it was a daunting prospect to be taking over the reins of a choir with such a...
