sun 19/10/2025

Film Reviews

London Film Festival 2025 - a Korean masterclass in black comedy and a Camus classic effectively realised

Helen Hawkins

No Other Choice

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After the Hunt review - muddled #MeToo provocation

Demetrios Matheou

The last few years have seen the much-needed positivity of the #MeToo movement followed by a raft of ethical confrontations, whether it’s differences over the feminist generation gap, or those for and against cancel culture.

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London Film Festival 2025 - Bradley Cooper channels John Bishop, the Boss goes to Nebraska, and a French pandemic

Adam Sweeting

Is This Thing On? 

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Ballad of a Small Player review - Colin Farrell's all in as a gambler down on his luck

Demetrios Matheou

Whether it’s the trenches of the First World War, or the halls and chambers of Vatican City, we’re becoming used to director Edward Berger creating highly believable, evocative and immersive environments for his stories. His latest is no different – except in one very particular way. 

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London Film Festival 2025 - from paranoia in Brazil and Iran, to light relief in New York and Tuscany

Helen Hawkins

Film festivals are a bran tub: what you find in them may be unexpected, and not always in a good way. Here are six I pulled out in my first week (minus one of my favourites, The Mastermind, which I will review when it goes on general release next week).

Jay Kelly 

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Iron Ladies review - working-class heroines of the Miners' Strike

Justine Elias

The enduring image of the 1984-1985 Miners' Strike is that of men standing arm in arm against police and of mass protests devolving into mayhem – with protesters being beaten and knocked to the ground.

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The Woman in Cabin 10 review - Scandi noir meets Agatha Christie on a superyacht

Justine Elias

A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek superyacht that provides its deadly setting.

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London Film Festival 2025 - crime, punishment, pop stars and shrinks

Adam Sweeting

Wake Up Dead Man: A Knives Out Mystery

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I Swear review - taking stock of Tourette's

James Saynor

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for the bad language, but lately, British cinema has been making this a selling point.

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A House of Dynamite review - the final countdown

Nick Hasted

Armageddon is here again, as Kathryn Bigelow’s first film in eight years examines the minutes before a nuclear missile hits Chicago from multiple perspectives, finding no hope anywhere.

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Urchin review - superb homeless drama

Demetrios Matheou

Urchin feels like a genuine moment in British cinema. Thematically, it offers a highly original, thoughtful, affecting account of the endless cycle of misfortune and institutional ineptness that can trap someone in homelessness. At the same time, it marks the coming of age in the careers of two brilliant young talents. 

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Mr Blake at Your Service review - John Malkovich in unlikely role as an English butler

Markie Robson-Scott

This genial oddity – its pithier French title is Complètement Cramé, meaning something along the lines of completely burnt out – stars John Malkovich and Fanny Ardant and is directed by best-selling author Gilles Legardinier, who adapted it from his own novel. Its goofiness works, some of the time, partly because of Malkovich’s French, which is fluent yet delivered in a halting drawl with an English/American accent so bad it’s almost good.

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Don't Let's Go to the Dogs Tonight review - vivid adaptation of a memoir about a Rhodesian childhood

Helen Hawkins

Fans of Alexandra Fuller’s fine memoir of her childhood in Africa may be wary of this film adaptation by the actress Embeth Davidtz, her directing debut. But they should not be. This is an equally fine, sensitive rendering of Fuller’s story, with a miraculous performance by seven-year-old Lexi Venter at its heart.

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One Battle After Another review - Paul Thomas Anderson satirises America's culture wars

Graham Fuller

Paul Thomas Anderson’s frantic One Battle After Another is a storm warning for a fascist America and both a lament and a rallying call for revolutionary fervour.

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Steve review - educator in crisis

Justine Elias

What's going wrong with teenage boys and young men? Like the lauded Netflix series Adolescence, Steve – the second film collaboration between star-producer Cillian Murphy and director Tim Mielants – takes a bold and intriguing approach in its search for answers.

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Can I get a Witness? review - time to die before you get old

Markie Robson-Scott

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, Zoolander. And you have to watch them in a museum.

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