Film Reviews
Easier With PracticeWednesday, 01 December 2010
Easier with Practice is a film about phone sex based on a short story that appeared in GQ magazine. It’s enough to make any right-thinking filmgoer not in the Will Ferrell/Chuck Palahniuk/American Pie core demographic head for another screen – any other screen. Read more... |
LemmyWednesday, 01 December 2010
As Ozzy Osbourne puts it, “He’s just Lemmy. You just take him or you fucking don’t, and he doesn’t give a flying shit whether you do or not.” It’s this irreducible Lemmyness of Lemmy which lies at the core of the gnarled heavy metaller’s mystique. Beyond fashion, as ageless as a rock’n’roll Flying Dutchman and with a constitution seemingly forged from buffalo hide and wrought iron, Ian Fraser “Lemmy” Kilmister is surrounded by his own private myth-bubble wherever he goes. Read more... |
MiralTuesday, 30 November 2010
With a script co-written by the Palestinian journalist Rula Jebreal, based on her 2004 book of the same title, Miral follows the interconnected lives of four women caught up in the Arab-Israeli conflict. It’s a sprawling, epic affair, directed by the New York painter turned film-maker Julian Schnabel. Read more... |
Of Gods and MenSunday, 28 November 2010
It has been one of the most surprising hits this year in French cinemas - a mostly male film which poses deep and pertinent questions about religion or, more specifically, religions. Its ultimate theme is the price of Christian devotion. Of Gods and Men is set in, of all the uncinematic locations, a still, often silent Cistercian monastery in North Africa, from which it derives its muted aesthetic tone and extremely careful pace. Read more... |
London BoulevardThursday, 25 November 2010
They say that crime doesn’t pay, yet the criminal underworld has certainly been good to William Monahan. His slick screenplay for 2006’s Boston-Irish gangster flick The Departed won him an Oscar, and now London Boulevard – a mean-streets-of-south-London, Lock, Stock knock-off, casual knifing of a film – sees him make the upgrade to the coveted writer-director credit. Read more... |
MacheteSunday, 21 November 2010
It is not uncommon for opportunistic film-makers to put together a flashy promo in the hope it will attract enough investors to turn it into a full-length feature. When Robert Rodriguez made the Machete trailer for 2007 double-bill Grindhouse, though – an all-action spoof featuring striking bit-part actor Danny Trejo as its titular knife-wielding protagonist – he had no intention of taking this parodic in-joke any further. Read more... |
Uncle Boonmee Who Can Recall His Past LivesFriday, 19 November 2010
Apichatpong Weerasethakul’s Cannes d’Or-winning fifth film replaces Hollywood’s blaring emphasis with a story of gentle transitions. Supernatural and natural, human and animal and life and death blur as Uncle Boonmee expires in the haunted forests of north-east Thailand. It expresses the director’s Buddhist belief in the transmigration of souls, and of cinema as a man-made equivalent, creating lives and memories that will outlive us. Read more... |
Robinson in RuinsThursday, 18 November 2010
“How many derelict gasworks can you shoot?” director Patrick Keiller asked almost in despair, at an early screening of his third psychogeographic amble through Britain. Not too many more may be the answer, as Robinson in Ruins significantly misses the mark set by its predecessors, the wonderful London (1994) and Robinson in Space (1997). Read more... |
Chico and RitaWednesday, 17 November 2010
On-screen kissing rarely works; even the sexiest, most practised Hollywood couples usually can’t manage it. But when the eponymous Chico and Rita turn to each other against smoochy strains of “Besame Mucho” and their lips touch for the first time, it looks - and feels - like the real thing. Even though the couple were conceived with pencil on paper and born into a digital world, their kiss actually feels erotic. Read more... |
AdriftTuesday, 16 November 2010
Adrift (A Deriva), Brazilian director Heitor Dhalia’s third feature film, is a sensuous coming-of-age story as well as an ode to the Brazilian beach landscape of Buzios and the band of gorgeous bikini-clad teenagers who run wild in it. Although Dhalia says the film is not strictly autobiographical, he concedes that it partly mirrors his own childhood beach holidays near Recife and his parents’ divorce when he was 10. Read more... |
Harry Potter and the Deathly Hallows, Part 1Tuesday, 16 November 2010
Harry Potter has devoured entire childhoods, swallowed adolescences whole. Not to mention swathes of many a middle age. There are those of us who have read all 2,765,421 words (I checked) of the seven-part saga out loud to their children. Read more... |
A Day in the Life: Four Portraits of Post-War BritainTuesday, 09 November 2010
An English teacher in a brand-new Hertfordshire secondary school is about to lose his rag. “You said ‘relaxed, like,’” he storms at a boy. “Why like? Like what? Why do you use that expression? What does it mean?” This is 1962. It’s a scene from Our School, sponsored by the National Union of Teachers, one of four documentaries made between 1953 and 1964 by John Krish in the BFI’s Boom Britain: Documenting the Nation’s Life on Film, a project that celebrates the neglected... Read more... |
My Afternoons with MargueritteSunday, 07 November 2010
These days Gérard Depardieu looks as though he wouldn't need much padding to play Obélix again. Though he continues to work with some of the biggest names in French cinema, it has been a while since he really surprised us, maybe because he's now such a familiar presence; in 2010 alone, he took on no less than five leading roles and a couple of walk-ons. Read more... |
Another YearWednesday, 03 November 2010
Mike Leigh's Another Year traverses the four seasons beginning with spring, and yet the mood is autumnal throughout. People don't sunbathe or picnic or build bonfires or for the most part respond in any particular way to the passage of time. Read more... |
Due DateWednesday, 03 November 2010
Todd Phillips’s interest in road trips as a hook for 90 minutes of male bad behaviour continues with this virtual remake of Planes, Trains and Automobiles. For mismatched couple Steve Martin and John Candy, read Robert Downey Jr and Zach Galifianakis. Read more... |
Let Me InMonday, 01 November 2010
By the standards of contemporary horror movies, Let Me In has several things going for it. It isn't about somebody being tortured to death, its leading characters aren't played by the usual vapid twentysomething actors pretending to be high-school students, and, by and large, it eschews some of the more tedious horror fads of our time, such as herky-jerky editing, or big "Boo!" musical cues designed to make you jump. Read more... |
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