Film Reviews
Cave of Forgotten DreamsThursday, 24 March 2011
The first thing that must be said is the paintings, captured by Herzog and his crew, are breathtaking beyond description. Among the animals depicted with remarkable clarity are mammoths, horses, bison, rhinoceros, ibex, lions and the only known instance of a panther in paleolithic art. There is even a giant creepy crawly clambering up one wall. And the cave itself is a mini-miracle of preserved evidence. Read more... |
The EagleTuesday, 22 March 2011
A chorus of "Hooray! No CGI!" has greeted Kevin Macdonald's new film version of Rosemary Sutcliff's popular novel, The Eagle of the Ninth. Not for him a Gladiator-style digital Rome, or Troy-like computer-generated navies stretching away into infinity. Read more... |
Wake WoodMonday, 21 March 2011
In Wake Wood, Aidan Gillen and Eva Birthistle play a married couple who lose their nine-year-old daughter in horrific circumstances. In mainstream cinema, this would lead to the earnest soul-searching and Oscar-bait performances of films like In the Bedroom, The Door in the Floor or Rabbit Hole. Read more... |
You Will Meet a Tall Dark StrangerFriday, 18 March 2011
As he did with his Spanish idyll Vicky Cristina Barcelona, Woody Allen supplies his fourth London film, You Will Meet a Tall Dark Stranger, with an anonymous male American narrator whose air of irritatingly breezy omniscience distances us from the proceedings, limiting the empathy we may feel for the four protagonists. Read more... |
Route IrishThursday, 17 March 2011
Route Irish isn’t the St Patrick's Day parade along Fifth Avenue in New York, but the “most dangerous road in the world”, from Baghdad airport to the relative safety of the heavily fortified Green Zone. Read more... |
The Lincoln LawyerThursday, 17 March 2011
Former Los Angeles Times crime reporter Michael Connelly struck gold with his books about LAPD detective Harry Bosch, before pulling a deft gear-change with the creation of criminal defence attorney Mickey Haller in The Lincoln Lawyer. Read more... |
SubmarineWednesday, 16 March 2011
Comedian Richard Ayoade’s kinetic, charismatic and accomplished directorial debut follows an introspective adolescent with his feet clamped firmly on dry land but with his head all at sea. In Submarine, our protagonist haplessly negotiates the quagmire of first love, whilst simultaneously dealing with his parents’ romantic disillusionment. Read more... |
BallastSunday, 13 March 2011
The opening images have mighty symbolic heft. A boy dashing across a blasted wintry field compels a flock of birds to take to the air, hundreds if not thousands of them blackening sky and screen, squawking and flapping in cacophonous unison. Cut to a freight train, truck after truck, thundering under clouds across the barren land. Cut to two plastic deer parked outside a wooden prefab. Read more... |
Benda Bilili!Saturday, 12 March 2011
On first hearing about Staff Benda Bilili - a Congolese band partly made up of paraplegics – I felt a little uneasy at the prospect of reviewing them. The last thing that one wants as a (hopefully) trusted critic is to feel compromised by an obligation to either give a positive review, or feel guilty about lessening their chances of bettering their circumstances with a bad review. Yes, rather embarrassingly, the vanity and solipsism of your reviewer has no limits. Read more... |
Norwegian WoodThursday, 10 March 2011
Published in 1987, Norwegian Wood was the novel that turned Haruki Murakami from writer to celebrity in his native Japan. With over 12 million copies sold internationally and a cult of devoted readers waiting fretfully, the notoriously unfilmable book finally makes its screen debut under the direction of Tran Anh Hung. Described by the author simply as “a love story”, this most conventional of Murakami’s narratives picks through the emotional detritus of a teenage suicide, exposing... Read more... |
Legacy - Black OpsWednesday, 09 March 2011
This debut feature by writer/director Thomas Ikimi was shot in 22 days on an infinitesimal budget, and while it's easy to point out some obvious flaws, it's far more constructive to look at what Ikimi has achieved. Chiefly, he wrote a script intriguing enough to lure Idris Elba on board, and he not only agreed to play the central role of Malcolm Gray, but additionally gave the project a hefty professional shove. Read more... |
Hall PassWednesday, 09 March 2011
It is regularly cited as quite the grossest moment in the Top 1000 gross moments in gross-out comedy. Flooping out of Ben Stiller, dangling off his earlobe, whence Cameron Diaz takes a pinch to stiffen her hair flick: the world-famously icky spunk-gel sight gag. The Farrelly Brothers have never been ones to duck a gross-out challenge, and in Hall Pass they may have just knocked their own There’s Something About Mary off the Number One slot. Read more... |
Fair GameMonday, 07 March 2011
News junkies and connoisseurs of Iraq war conspiracies may be familiar with the true story of CIA agent Valerie Plame, which is earnestly converted to celluloid here by director Doug Liman. Part of Plame's work was infiltrating Saddam Hussein's weapons programme before the decision to invade Iraq in 2003 was taken. Read more... |
His & HersSunday, 06 March 2011
Ken Wardrop is a young Irish film-maker who has been winning awards since his days at the National Film School in Dublin. His & Hers, his feature debut, is no exception: it won the World Documentary Cinematography award at last year’s Sundance film festival. The title is deliberately misleading. Read more... |
PatagoniaWednesday, 02 March 2011
To anyone less than familiar with a transatlantic migration of 150 souls which took place in 1865, a bilingual film with dialogue in Spanish and Welsh may look like a subtitled bridge too far. Any such prejudgement would be a mistake. Patagonia is a film rich in cinematic textures which visits not one but two ravishing parts of the world rarely celebrated in widescreen. Read more... |
ArchipelagoWednesday, 02 March 2011
Upper-middle-class familial relations are placed under an unflattering spotlight in Joanna Hogg’s rich, resonant and often scathingly comic drama, which triumphantly harnesses the power of the unsaid and the unseen. Like its predecessor Unrelated, Archipelago is a superior, stylistically distinct work that is utterly, almost cringingly credible. Read more... |
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