You wouldn’t turn to Jimmy McGovern for a drawing-room comedy, but there’s no doubting his gift for seizing big issues and turning into them raw, bleeding chunks of drama. You’re either for him or against him, but if you’re against him he’d love to grab you by the throat and shake you into seeing it his way.

Perhaps belatedly prompted by the release of Barbra Streisand’s new album Walls, the worst-selling disc in her 55 years with Columbia Records, this documentary was an uncritical celebration of Babs’s brilliant career from her first stage appearances in the late Fifties to the joys of Hello, Dolly!, The Way We Were and Yentl.

Was The Little Drummer Girl commissioned by algorithm? Those who liked The Night Manager might reasonably have been supposed to enjoy another le Carré adaptation. The two dramas had DNA in common.

There’s no one right way to grieve. It cuts through everyone differently, whether reverting to childhood traits or out-of-character impulses. The person you lose might mean one thing to you, and something completely different to someone else; it can hit you both differently, and equally hard.

And now for something completely different from The Fall. The nerve-shredding drama from Northern Ireland was written by Allan Cubitt and featured, as its resident psychopathic hottie, Jamie Dornan (pictured below).

In which the titular Mrs Wilson is played by her real-life granddaughter Ruth Wilson, in an intriguing tale of subterfuge both personal and professional. The curtain rose over suburban west London in the 1960s, where Alison Wilson was married to Alec (Iain Glen) and was the proud mother of their two sons.

Destiny is all. The first two series of The Last Kingdom debuted on BBC Two, but for series three it has been fully embraced by Netflix. Global domination surely looms, since these latest exploits of Uhtred, the warrior who was born a Saxon but raised by Vikings, find the show hitting new peaks of throat-slitting, skull-crushing action and intense personal drama.

This opening episode of My Brilliant Friend was a stunning symphony in grey.

The toughest subject you can imagine: when, and how, would you choose death over life? This riveting film examined that excruciating dilemma within the legal frameworks on offer to some of the terminally ill in the United States.

Jerusalem! This fact-studded story of 20th century British music told us that the nation's unofficial national anthem, Hubert Parry’s setting of William Blake’s poem, originated in 1916 as a commission from the “Fight for Right” movement.