New Music Interviews
theartsdesk Q&A: Musician Esperanza SpaldingSaturday, 09 July 2011
Bassist, vocalist and composer, Esperanza Spalding is one of the most exciting things to happen to jazz in recent memory. Born and raised on what she has called “the other side of the tracks” in Portland, Oregon, Spalding grew up in a single-parent home. Read more... |
theartsdesk Q&A: Musician Seasick SteveSaturday, 11 June 2011
Seasick Steve Wold (b 1941) has achieved widespread popularity over the last five years with his raw, rootsy, blues-flavoured sounds. He's also renowned for his customised guitars, such as one featured on his new album, You Can't Teach an Old Dog New Tricks, that's made from Morris Minor hubcaps, and for his stage patter which combines US Southern charm with hobo lore and anecdotes. Read more... |
Q&A Special: Electronic Musicians BonjaySunday, 05 June 2011
A potent combination of growling electronics, sub-bass frequencies and expressive vocals seems to have moved back to the centre of the UK's pop landscape in recent months, whether via the likes of James Blake, Magnetic Man or even the unlikely sound of Britney Spears appropriating dubstep signifiers on her new record. All of which makes the arrival in the UK of Canadian duo Bonjay seem... Read more... |
theartsdesk Q&A: Musician MobySaturday, 14 May 2011
Moby (b 1965) has been a presence on the dance scene and in global clubland for two decades. He is best known for the multimillion-selling 1999 album Play which, among other things, combined lush electronic orchestration with old field recordings of a cappella blues shouters. Moby's musical career, however, began at least a decade earlier. Read more... |
theartsdesk Q&A: Musician Martin CarthyFriday, 06 May 2011
One of Britain’s most esteemed and influential folk artists, Martin Carthy (b 1941) celebrates his 70th birthday on 21 May. The occasion is being marked by the release of a two-disc career overview, Martin Carthy Essential, and next weekend's celebratory concert at the Southbank Centre, London. Read more... |
Q&A Special: Musician Mary GauthierTuesday, 03 May 2011
The Foundling Museum in Bloomsbury preserves the story of the Foundling Hospital, established in 1739 by Thomas Coram, the artist Hogarth and the composer Handel. At the end of April, American country singer Mary Gauthier performed The Foundling, a concept album telling of her birth and adoption in 1962 and the attempted reunion with her birth mother some 45 years later. Read more... |
theartsdesk Q&A: Electronic Musicians Hype WilliamsSaturday, 16 April 2011
The music of Hype Williams is the definition of an acquired taste. It sounds ramshackle, thrown together, deliberately awkward – either deeply contrarian or the work of very, very messed-up people just playing around with archaic home recording equipment. But immersion in it reveals all kinds of layers of strangeness, and particularly a rich and emotionally resonant sense of melody that weaves through all the clashing rhythms and crackly recordings. Even the arrangements, it becomes apparent... Read more... |
theartsdesk Q&A: Pop Musicians The Human LeagueSunday, 03 April 2011
The Human League are one of the brightest lights in the history of electro-pop. They have had many incarnations over the years but since late 1980 the core of the group has been frontman Philip Oakey (b 1955) and singers Joanne Catherall (b 1962) and Susan Sulley (b 1963). Read more... |
theartsdesk Q&A: DJ Annie NightingaleSaturday, 26 February 2011
In 1970, Annie Nightingale became Radio 1’s first female DJ. The appointment was made somewhat grudgingly - DJs, believe it or not (and we’re talking about the likes of Ed “Stewpot” Stewart and Tony Blackburn here), were perceived to be “husband substitutes” and it was generally accepted that a female voice would alienate the listeners. And yet 40 years later, Nightingale is the only DJ left from the original line-up. Read more... |
Q&A Special: Musician Bob GeldofTuesday, 08 February 2011
Bob Geldof only shuts up in the end because a plane he should be on is imminently taking off for India, and he is still in his local South London pub, refusing to let a heavy cold stop him from talking like others drink - with unquenchable relish. He is in passing promoting his new album, How to Compose Popular Songs That Will Sell, a lesson Geldof could have given with conviction during his old band the Boomtown Rats’ pomp between 1977 and 1980, when their first nine singles hit... Read more... |
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