New Music Reviews
Yard Act, Barrowland Ballroom, Glasgow review - a transcendent victory lapSunday, 30 April 2023
Before even a note was struck, Yard Act’s singer James Smith was setting the bar high. “Over the past two days everyone we’ve met in Glasgow has been telling us this is the best gig we’ll ever play”, he declared, as soon as the Leeds band arrived onstage. Read more... |
Music Reissues Weekly: Loma Northern SoulSunday, 30 April 2023
One of the essays in the booklet accompanying Loma Northern Soul describes the titular label as an “outlet aimed at secondary or tertiary record markets, issuing product that it was hoped would prove strong in R&B radio, yet had the potential to crossover and do battle with Motown in the pop charts”. Read more... |
Panda Bear & Sonic Boom, Komedia, Brighton review - a delightfully woozy head-tripFriday, 28 April 2023
My associate for the evening has recently returned from Breaking Convention, a conference on psychedelics, celebrating their renaissance in recent years. He’s been microdosing regularly. Around us the crowd sways, many with eyes closed, bobbing, silhouetted by two screens and a stage backdrop on which a dancing silver-grey blob-humanoid grooves itself to liquid, splatters flowing off it. Read more... |
New Regency Orchestra, Colour Factory review - sizzling Afro-Cuban big bandWednesday, 26 April 2023
Four trombones, four trumpets and five saxophones, six percussionists – this Afro-Cuban inspired band packs an irresistible punch and it’s loud! This is a big band sound that revives the glory days of Tito Puente and Dizzy Gillespie, a 1940s fusion of Latin and jazz, as incendiary as it comes. A true wonder that London should produce music of this power and vibrancy, but the New Regency Orchestra (NRO) do just that, keeping the energy going for the full length of a 90-minute set. Read more... |
Music Reissues Weekly: Joe Meek And The Blue Men - I Hear A New World SessionsSunday, 23 April 2023
March 1960’s I Hear A New World EP was British pop at its most extraordinary. As its liner notes put it, it was “a strange record”: one seeking to aurally reflect life on the moon and in outer space. Musique concrète, pop and studio-only sonic manipulation were rolled into one. Its creator was producer Joe Meek. Read more... |
theartsdesk on Vinyl: Record Store Day Special 2023Thursday, 20 April 2023
Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy? THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023 Suicide A Way of Life Rareties (BMG) Read more... |
theartsdesk on Vinyl 76: Elton John, Pharoah Sanders, Hellripper, Jah Wobble, T-Rex and moreWednesday, 19 April 2023
There will be two theartsdesk on Vinyls this week. The first is here, an epic 11,000 words on a multitude of new releases in every genre, from reissues of classics to spanking new strangeness. There’s something for everyone. On Thursday we’ll have a special edition in honour of Record Store Day this coming Saturday, so watch out for that too. For now, though, dive in! VINYL OF THE MONTH Read more... |
Goat, The Mill, Birmingham review - Scandinavian pagans see the weekend out in styleTuesday, 18 April 2023
It might be nigh on six months since Scandinavian shamen (and women) Goat released their latest opus, Oh Death, but it has taken until now for them to finally bring their energetic live show back to the UK. On Sunday’s evidence, it is a wait that now feels like a small price to pay though, as Brummies young and old blew their minds and danced their socks off to intoxicating sounds that provoked a seriously ecstatic response. Read more... |
Music Reissues Weekly: Pharoah Sanders Quartet - Live at Fabrik Hamburg 1980Sunday, 16 April 2023
Promises attracted a lot of attention upon its 2020 release. The album brought together UK electronica artist Floating Points, The London Symphony Orchestra and storied US jazz individualist Pharoah Sanders, who died in September 2022. It became his last album. Promises – composed by Sam Sheperd in his Floating Points guise – cannot though have been conceived to be as high profile as it became. Read more... |
The Damned, Town Hall, Birmingham review - original punks bring some darkadelica to a full houseSaturday, 15 April 2023
The last time I saw the Damned live in concert was in a big tent in Finsbury Park in 1986, to celebrate the band’s 10th anniversary. It remains, without any doubt, the most violent gig that I’ve found myself experiencing to this day. Read more... |
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