wed 07/05/2025

New Music Reviews

Tom Jones / The Shires, Greenwich Music Time Festival

Matthew Wright

With its time and observatory, Greenwich is a fitting venue for record-breakers, and Sir Tom Jones, who sang at the Greenwich Music Time Festival last night, has some impressive vital statistics. The still-slim, still-dynamic figure in a black suit has sold 100 million records in a career of over 50 years, and on a good day, he can be Elvis Presley with a touch of Bryn Terfel.

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Peter Perrett, The Garage

Thomas H Green

Peter Perrett reappears for his third encore. This time his band doesn’t play with him. He attacks the guitar alone, “No Peace for the Wicked” and “It’s the Truth”, both songs from his days in The Only Ones, 35 years ago. His distinctive cracked voice is strong. In any case, the crowd assist him, even though these are not sing-along songs so much as perfectly constructed mini-melodramas of the heart.

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Reissue CDs Weekly: Tennessee Ernie Ford

Kieron Tyler

 

Tennessee Ernie Ford Portrait of an American SingerTennessee Ernie Ford: Portrait of an American Singer

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Irakere, Ronnie Scott's

Thomas Rees

When Afro-Cuban jazz pioneers Irakere first played Ronnie Scott’s, back in 1985, they sold out the venue for five weeks on the trot. Thirty years later, and 40 years since the pioneering Latin jazz outfit began, they’re back to celebrate the anniversary, playing two shows a night across six nights, with pianist and founder Chucho Valdes at the helm.  

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theartsdesk at Latitude Festival 2015

Phoebe Michaelides

Many festivals have become increasingly family-friendly. The children who, 10 years ago, were taken to outdoor multi-dayers such as Latitude, Camp Bestival and the now-defunct Big Chill, are now teenagers. Many have grown up with festivals as a usual part of their summer holidays - rather than a countercultural escape - and now they want to strike out on their own.

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Reissue CDs Weekly: Mission of Burma

Kieron Tyler

 

Mission of Burma signals, calls and marchesMission of Burma: signals, calls, and marches/Vs.

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theartsdesk on Vinyl: Volume 7 - Northern Soul, The Fall and more

Thomas H Green

One of vinyl’s more controversial corners is the postal subscription club. Sign up to one of these and, for a fee, a number of records are sent to your home. The draw is supposed to be exclusivity of content or simply trusting the taste of a faultless musical guru. Subscription is thus, to put it mildly, a mixed bag. Sites such as Wax&Stamp are typical. Their policy is to send two-per-month, one chosen by them and one by a guest selector.

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Reissue CDs Weekly: The Love Affair

Kieron Tyler

 

The Love Affair Steve Ellis Time Hasn’t Changed us The Complete CBS Recordings 1967-1971The Love Affair/Steve Ellis: Tim...

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Chaka Khan, Ronnie Scott's

mark Kidel

The voice is the pinnacle of instruments, the surefire road to the heart. But the core humanity which distinguishes it can work both ways: the vulnerability displayed so powerfully in human song makes possible the expression of powerful emotions but it can also pitilessly expose the flaws in an artist’s work.

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Suicide, Barbican

Thomas H Green

What do we do when our heroes become incapable of doing what made them our heroes in the first place? Who are we to say when an artist is too old and broken to be on stage, if that’s where they want to be?  Where is the line between thrilling avant-punk chaos and an unrehearsed shambles? When does an enthused audience willing a band to succeed, whatever the evidence to the contrary, slip into the realms of self-delusion?

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