mon 13/01/2025

New Music Reviews

Rava / Herbert / Guidi + Murgia, Kings Place

Matthew Wright

There was an Italian flavour to the EFG London Jazz Festival programme at Kings Place on Thursday night. Enrico Rava is an eminent statesman of European jazz, who emerged in the 1960s as a disciple of Miles Davis. He was collaborating with young pianist Giovanni Guidi, also recorded on ECM, though best known for diaphanous soundscapes rather than free jazz at its most raw and bloody.

Read more...

Jim Rattigan's Pavillon, Seven Arts, Leeds

graham Rickson

French horn players active in jazz are thin on the ground: there’s the long-deceased John Graas, and composer and polymath Gunther Schuller’s career took in collaborations with Miles Davis and Dizzy Gillespie. Unlike most brass instruments, the horn’s bell faces backwards, potentially creating balance and coordination problems.

Read more...

Norma Winstone, Cadogan Hall

peter Quinn

For fans of vocal jazz and fine lyric writing, this 75th birthday concert for the inimitable Norma Winstone offered a treasure trove of riches. From intimate chamber jazz to the gravitas of a full orchestra, the two sets seamlessly blended every aspect of Winstone’s artistry.

Read more...

Elza Soares, Barbican / Calypso Rose, Jazz Café

Peter Culshaw

She calls it “dirty samba”. Elza Soares, The Woman at the End of the World - to use the name from her last album - sat on a throne like a warrior from a fantasy sci-fi film at the back of the stage. Her regal, mythic aura has been earned in an epic life story and a series of albums that started in 1960.

Read more...

theartsdesk on Vinyl: Volume 22 - Queen, Gillan, The Pop Group, Joe Fox and more

Thomas H Green

The music keeps coming thick and fast. There’s an emphasis on rock this month but, as regular readers will know, theartsdesk on Vinyl has no favoured musical genre. All music is welcome, as long as it’s cut to plastic.

Read more...

Lizz Wright, Cadogan Hall

peter Quinn

There are singers who can dazzle with their technical mastery, those who welcome you into their musical world through a special communicative gift, and those who can traverse genres with absolutely no artifice. Rarest of all are those singers who combine all of the above with a timbral quality that can touch your very soul. Lizz Wright is one such singer.

Read more...

Reissue CDs Weekly: REM

Adam Sweeting

Good grief, was Out of Time really 25 years ago? This was the seventh studio album from the li'l ole band from Athens, Georgia, and the one with which they finally cracked open the mainstream international market. This was when people still used to buy CDs, and a time when it was still possible for bands to sustain slow-growing careers which built steadily from the ground upwards.  

Read more...

Michael Wollny Trio + Andrew McCormack, Kings Place

Matthew Wright

This rambunctious German-Swiss trio is used to selling out much larger venues at home. Their overdue EFG London Jazz Festival debut, in an enthusiastic but not full Kings Place, introduced British audiences to an exhilarating take on the acoustic jazz trio. This is a wolf in sheep’s clothing, a brilliantly, brutally eclectic ensemble that pushes the language of jazz to new limits of originality, and does so with irresistible energy, and a refreshing sense of fun.

Read more...

Jazz Voice, Royal Festival Hall

peter Quinn

Following the seismic events across the pond earlier this week, an outcome which has left the rest of the world blinking in disbelief, Guy Barker’s brilliant arrangements for this year’s Jazz Voice offered much needed balm for the soul. Creativity, collective endeavour, community: humanity’s finest qualities were in evidence.

Read more...

Billy Bragg & Joe Henry, St Georges Church, Brighton

Thomas H Green

The day after Trump won the US presidential election was always going to be an interesting day for a concert by Billy Bragg and his American cohort Joe Henry.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

American Primeval, Netflix review - nightmare on the Wild Fr...

It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...

The Second Act review - absurdist meta comedy about stardom

Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...

Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedr...

Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as...

Album: Lambrini Girls - Who Let the Dogs Out

Phoebe Lunny and Lilly Macieira are furious. Livid with the rapist...

Maria review - Pablo Larraín's haunting portrait of an...

As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...

Titanique, Criterion Theatre review - musical parody sinks d...

This Celine Dion jukebox musical has been a big hit in New York, but...

Album: Franz Ferdinand - The Human Fear

Travel back in time to the mid 2000s and you would be hard pressed to escape "Take Me Out" by Franz Ferdinand on the air waves. On the radio,...

Babygirl review - would-be steamy drama that only flirts wit...

Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...