sat 11/01/2025

New Music Reviews

Sarah Jane Morris, Union Chapel

peter Quinn

Recorded in the UK, Johannesburg, Paris and Tel Aviv, Sarah Jane Morris's latest album, Bloody Rain, is undoubtedly a labour of love. Hearing it performed live last night in the Union Chapel, in front of an adoring audience, confirmed that it is also her masterpiece.

Read more...

Joan Baez, Royal Festival Hall

Heidi Goldsmith

The next revolution of civil disobedience is unlikely to be a ticketed event, with a sedentary congregation of grey-haired, nostalgic former hippies. And the Royal Festival Hall (even at full capacity) is a mere campfire compared to Joan Baez's public of 30,000 protesters of Washington DC in 1967. But politics, where the drum stick is eschewed for the brush, were still the unspoken substance of her first London performance of four.

Read more...

Foo Fighters, Olympic Park

Matthew Wright

“There goes my hero,” sang the Foo Fighters at the end of the Invictus Games last night. True to form, the Foo Fighters’ performance was a barrage of energy and goodwill, which closed the games - characterised by much the same - on an all-round high.

Read more...

Mulatu Astatke, Royal Festival Hall

Peter Culshaw

It was Jim Jarmusch’s film Broken Flowers that first really got Mulatu Astatke major Western attention – in same way that Angelo Badalementi’s music for Twin Peaks gave a rich and strange dimension to David Lynch’s TV epic, there was an even greater sense of wonderful disorientation, or as Brian Eno put it “jazz from another planet,” with Astatke’s music.

Read more...

Reissue CDs Weekly: Game Theory

Kieron Tyler

 

Game Theory Blaze Of GloryGame Theory: Blaze of Glory

Read more...

Blondie, O2 Academy, Birmingham

Guy Oddy

Blondie may have been around the block a few times since they got together in New York in 1974, but they seemingly have no intention of settling into a comfortable existence of just playing the hits to ever-diminishing artistic returns. Their present set-list features large swathes of recent album Ghosts of Download, as well a fair amount of other unlikely surprises in between the tunes that provided a soundtrack to the teenage years of many of their now-greying audience.

Read more...

Elbow, Roundhouse

Heidi Goldsmith

Punctually, following a tension-building countdown, Elbow entered the blue-lit stage at London’s legendary Roundhouse, beers in hand, and gestured the 1500-strong audience into a mass toast. With his slight stoop, soft Manchester accent and wayward estate-agent appearance Guy Garvey’s frontman persona takes more from familiar folk Daddies like Loudon Wainwright III than from the styled superstars also headlining at the iTunes Festival.

Read more...

Prom 74: Wainwright, Voigt, Britten Sinfonia, Debus

David Nice

Swathes of this year’s final Late Night Prom were so invertebrate, amateurish even, that I was tempted to go home and throw out my Want One and Want Two CDs. I won’t, of course: Canadian American singer-songwriter Rufus Wainwright has written some fabulous songs, and developed a unique vocal style to deliver them.

Read more...

Art Garfunkel, Royal Festival Hall

Fisun Güner

The voice no longer soars with easeful power, nor does it possess that tingling, honey-coated purity that gave hits such as “Bridge Over Troubled Water” such emotional force. This should hardly come as a surprise, since Art Garfunkel is now 72. Away from Paul Simon, from whom he split in 1970, Garfunkel has had a long, stop-and-start solo career, occasionally writing and recording his own songs but mainly singing other people’s, including those unforgettable Simon hits.

Read more...

theartsdesk at Bestival 2014: Full Biochemist's Report

Caspar Gomez

Sometimes you don’t escape. Even for those of us with a sturdy frame and a good track record, every now and then, enjoying the ride means taking the pummelling.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Lambrini Girls - Who Let the Dogs Out

Phoebe Lunny and Lilly Macieira are furious. Livid with the rapist...

Maria review - Pablo Larraín's haunting portrait of an...

As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...

Titanique, Criterion Theatre review - musical parody sinks d...

This Celine Dion jukebox musical has been a big hit in New York, but...

Album: Franz Ferdinand - The Human Fear

Travel back in time to the mid 2000s and you would be hard pressed to escape "Take Me Out" by Franz Ferdinand on the air waves. On the radio,...

Babygirl review - would-be steamy drama that only flirts wit...

Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...

It's Raining Men review - frothy French comedy avoids d...

Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (...

Album: Bridget Hayden and The Apparitions - Cold Blows The R...

The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse....