New Music Reviews
Reissue CDs Weekly: Oh Yes We Can Love - A History of Glam RockSunday, 27 October 2013
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The Who: The Story of Tommy, BBC FourSaturday, 26 October 2013
Grand claims and superlatives were not lacking in this examination of The Who's fabled rock opera. "This is a quintessentially important creation," said Des McAnuff, the man who staged Tommy on Broadway and in London's West End. "This might just be the first pop masterpiece," wrote pop critic (and Pete Townshend's pinball-playing buddy) Nik Cohn in his review in 1969. Read more... |
Gwlad y Gân/Land of Song, Wales Millennium Centre, CardiffThursday, 24 October 2013
When the term “world music” became a category in record stores, it’s doubtful that triple harps, cerdd dant and canu plygain would have been thought to belong under the umbrella. And yet here they were on display at WOMEX. The annual world music expo has put down roots in Cardiff this year, and to bid welcome to the delegates Cerys Matthews hosted a celebration of traditional Welsh music under the title Gwlad y Gân/Land of Song. Read more... |
The Chaos Orchestra presents 'The Rite', The VortexThursday, 24 October 2013
Still only a year out of college, the diversely gifted trumpeter, composer and bandleader Laura Jurd has risen rapidly to prominence, enterprisingly bypassing the ritual of hanging around to be noticed by creating her own scene and ensembles. One of these, the Chaos Collective, this week curated a small festival in which another, the Chaos Orchestra, last night performed a range of new work. Read more... |
Roy Harper, Royal Festival HallWednesday, 23 October 2013
It had to finish with “When an Old Cricketer Leaves the Crease”, the commentary on a building block of British life which marks the passing of time more acutely than anything explicitly counting the minutes which precede leaving the field, whether in sport or life. Roy Harper originally released this elegy in 1975, when he was in his 30s. As last night’s encore, it was even more poignant. Harper is now 72. There were moments when he explicitly said he might not see an audience again. Read more... |
Peter Gabriel, 02 ArenaTuesday, 22 October 2013
Walking into London’s cavernous O2 Arena for Peter Gabriel’s So 25 show last night felt like stumbling onto the set of some David Lean epic: Peter of Surrey, if you will. With a number of imposing lighting and camera rigs framing the already roomy stage, the show’s chroniclers sat perched perilously in suspended chairs with their equipment focused on the band setting up before us. Read more... |
The Impossible Gentlemen, Pizza Express Jazz Club SohoTuesday, 22 October 2013
Of the many challenges facing a contemporary jazz quartet, there are, perhaps, several more pressing than becoming a gentleman. For this extraordinary band, their conviction derives from the affection, respect and detail with which they synthesise such a breadth of jazz tradition. Read more... |
Muscle ShoalsTuesday, 22 October 2013
“We grew up like animals,” says FAME Studios’ founder Rick Hall of his upbringing. “That made me better… I wanted to be somebody.” He did become somebody, and in the process put Alabama’s Muscle Shoals on the map. This film tells the story of how a small city birthed some of the greatest American music of the 20th century, and of the ripples which subsequently spread. The Rolling Stones recorded there in 1969. Read more... |
Public Image Ltd, O2 Academy, BirminghamMonday, 21 October 2013
Thirty seven years since first breaking into the public consciousness and following a period being regarded as punk’s pantomime dame, John Lydon is now finally reaping wider musical recognition and kudos. Recent times have seen a revitalisation of Public Image Ltd (albeit in the guise of a cottage industry and completely on their own terms) with extensive touring and the muscular return-to-form album, This is PiL. Read more... |
Reissue CDs Weekly: Madness, ABBASunday, 20 October 2013
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Various Artists: Oh Yes We Can Love – A History of Glam Rock 
Madness: Take it or Leave itPages
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