New Music Reviews
Joan Baez, Royal Festival HallThursday, 18 September 2014
The next revolution of civil disobedience is unlikely to be a ticketed event, with a sedentary congregation of grey-haired, nostalgic former hippies. And the Royal Festival Hall (even at full capacity) is a mere campfire compared to Joan Baez's public of 30,000 protesters of Washington DC in 1967. But politics, where the drum stick is eschewed for the brush, were still the unspoken substance of her first London performance of four. Read more... |
Foo Fighters, Olympic ParkSunday, 14 September 2014
“There goes my hero,” sang the Foo Fighters at the end of the Invictus Games last night. True to form, the Foo Fighters’ performance was a barrage of energy and goodwill, which closed the games - characterised by much the same - on an all-round high. Read more... |
Mulatu Astatke, Royal Festival HallSunday, 14 September 2014
It was Jim Jarmusch’s film Broken Flowers that first really got Mulatu Astatke major Western attention – in same way that Angelo Badalementi’s music for Twin Peaks gave a rich and strange dimension to David Lynch’s TV epic, there was an even greater sense of wonderful disorientation, or as Brian Eno put it “jazz from another planet,” with Astatke’s music. Read more... |
Reissue CDs Weekly: Game TheorySunday, 14 September 2014
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Blondie, O2 Academy, BirminghamSunday, 14 September 2014
Blondie may have been around the block a few times since they got together in New York in 1974, but they seemingly have no intention of settling into a comfortable existence of just playing the hits to ever-diminishing artistic returns. Their present set-list features large swathes of recent album Ghosts of Download, as well a fair amount of other unlikely surprises in between the tunes that provided a soundtrack to the teenage years of many of their now-greying audience. Read more... |
Elbow, RoundhouseSaturday, 13 September 2014
Punctually, following a tension-building countdown, Elbow entered the blue-lit stage at London’s legendary Roundhouse, beers in hand, and gestured the 1500-strong audience into a mass toast. With his slight stoop, soft Manchester accent and wayward estate-agent appearance Guy Garvey’s frontman persona takes more from familiar folk Daddies like Loudon Wainwright III than from the styled superstars also headlining at the iTunes Festival. Read more... |
Prom 74: Wainwright, Voigt, Britten Sinfonia, DebusFriday, 12 September 2014
Swathes of this year’s final Late Night Prom were so invertebrate, amateurish even, that I was tempted to go home and throw out my Want One and Want Two CDs. I won’t, of course: Canadian American singer-songwriter Rufus Wainwright has written some fabulous songs, and developed a unique vocal style to deliver them. Read more... |
Art Garfunkel, Royal Festival HallFriday, 12 September 2014
The voice no longer soars with easeful power, nor does it possess that tingling, honey-coated purity that gave hits such as “Bridge Over Troubled Water” such emotional force. This should hardly come as a surprise, since Art Garfunkel is now 72. Away from Paul Simon, from whom he split in 1970, Garfunkel has had a long, stop-and-start solo career, occasionally writing and recording his own songs but mainly singing other people’s, including those unforgettable Simon hits. Read more... |
theartsdesk at Bestival 2014: Full Biochemist's ReportThursday, 11 September 2014
Sometimes you don’t escape. Even for those of us with a sturdy frame and a good track record, every now and then, enjoying the ride means taking the pummelling. Read more... |
Prom 71: Time for Three, BBC Concert Orchestra, LockhartWednesday, 10 September 2014
Aaron Copland was an unlikely musical portraitist of the American plains and prairies. Son of Jewish immigrants from Brooklyn and student of modernism with Nadia Boulanger in Paris, he nonetheless created the quintessential American orchestral sound with a series of popular (“vernacular” was his phrase) works in 1930s and 1940s. Last night three of his most popular pieces were paired with two new pieces inspired by jazz, that other great American twentieth-century music. Read more... |
Game Theory: Blaze of GloryPages
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