thu 14/08/2025

New Music Reviews

Elvis Costello, Royal Albert Hall

Fisun Güner

Georgie Fame opened the evening with a five-piece band, including the singer on his old Hammond organ. Favourites such as “Yeh, Yeh” were belted out to pleasing effect, as well as covers that included Van Morrison’s “Moondance” (Morrison played the packed-out BluesFest the previous evening). It was a strange, “extended” version that paid homage to a Paul Robeson number – Fame boomed out an African chant that bookended the song.

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Fuse ODG, Under the Bridge

Matthew Wright

The Afrobeats scene is coming to a venue near you. Anglo-Ghanaian artist Fuse ODG, who won the best African Act MOBO last week for the second year running, launched his first album T.I.N.A. last night with a relentless, exuberant performance that brought out the African party flavour to these songs. His album release and tour, on the back of the MOBO success, marks a significant moment in his progression from niche internet popularity to the mainstream.  

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Reissue CDs Weekly: Minny Pops, The Pop Group

Kieron Tyler

 

Minny Pops: Drastic Measures, Drastic MovementMinny Pops: Drastic Measures, Drastic Movement The Pop Group: Cabinet of Curiosities, We are Time

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Lady Gaga, O2 Arena, London

Thomas H Green

Gaga’s relationship with her fanbase, her “Little Monsters”, is quite a thing. I’ve not seen the O2 so permanently on its feet. Large swathes of her capacity crowd are up and dancing right from the opening number. They adore her and are dressed to show it, from middle-aged ladies to gay men to teenage girls to many multitudes of humanity in between.

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John Cooper Clarke, Town Hall, Birmingham

Guy Oddy

John Cooper Clarke has assumed many roles since he came motoring out of Salford in the mid Seventies, spitting out poetry from a distinctly untraditional view point. There were tales of how you’d never see a nipple in the Daily Express (“This paper’s boring mindless mean, full of pornography, the kind that’s clean”) and marrying a monster from outer space (“We walked out tentacle in hand.

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Culture Club, Heaven

Matthew Wright

In the time that Culture Club have been planning reunions, bands, movements, whole musical eras have come and gone. And still, once every couple of years, a rumour circulates, and a demo is aired. Generally, nothing comes of it, and those memories of dancing drunkenly to “Karma Chameleon” grow a little fainter. Now, with last night’s taster gig at Heaven (where the band gave their first big London performance in 1982), we can definitively say, they are back.

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Nick Mulvey, Komedia, Brighton

Thomas H Green

The humming is rising. Only three songs in and already a large section of the crowd is swaying, tranced out, from side to side, like southern Baptists, swept along by an extended version of “Meet Me There” from Nick Mulvey’s 2014 Mercury Music Prize-nominated debut album First Mind. The Komedia’s basement is an odd venue. It has a very low ceiling and takes exact ratios of performance energy, visual impact and audience goodwill to make it work.

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Reissue CDs Weekly: Madness

Kieron Tyler

 

Madness One Step Beyond 35th AnniversaryMadness: One Step Beyond - 35th Anniversary Edition

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Sandra Nkaké and Jî Drû, Pizza Express Jazz Club - "mesmerising, leonine"

Matthew Wright

A first live experience of the French-Cameroonian singer Sandra Nkaké leaves many questions unanswered. Once the immediate bewilderment has passed, the most pressing question for a British audience should be: why is this extraordinary performer not block-booking the festival circuit?

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The Buzzcocks, Concorde 2, Brighton

Thomas H Green

Apologies, I missed nearly half the concert. I turned up at 9.00 when I’d been told the gig began but they started half an hour early. Apparently it was a last minute decision. There we go. When I crushed into the back of the Concorde 2, a space jammed mostly with men between 35 and 55, Buzzcocks guitarist Steve Diggle, clad in a polka dot shirt, was singing “Sick City Sometimes” from their eponymous 2003 album. It’s no classic but Diggle was throwing his every ounce of zest at it.

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