New Music Reviews
Björk: Biophilia LiveWednesday, 15 October 2014
From David Attenborough’s spoken introduction to the blonde, robed backing singers, Biophilia Live sees Björk in full experimental flow. Sometimes the film seems almost as if documenting the ceremonial workings of a science-based cult rather than covering an avant-garde pop show. Musically it is reverent, the atmosphere is cerebral, and, above all, Björk’s persona is shamanistic. Read more... |
Reissue CDs Weekly: The Bevis FrondSunday, 12 October 2014
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Caro Emerald, Brighton CentreFriday, 10 October 2014
Towards the end of her set Caro Emerald performs “History Repeating”, a hit song from 1997 that revived Shirley Bassey’s cool quota when she sang it with successful big beat duo, the Propellerheads. It’s perfect for Emerald, just the right ratio of hip electronic touches and classic showbiz pizzazz. This is where she lives, musically, dipped in swing-era vintage, but lathered in modernist sonic frolics. Read more... |
Bebel Gilberto, BarbicanWednesday, 08 October 2014
Bebel Gilberto seemed very tentative when she first appeared onstage; dressed in semi-Goth black, she kept saying how nervous she was. “Calm down, Bebel. It’s only the Barbican,” she muttered and we did get a sense of the terror and exhilaration of performing live to a big crowd. Her shambolic approach is in some ways, though, preferable to some slick operators who have their stage patter timed to the second. There’s a problem with a wire, she goes off-stage. Read more... |
Stacey Kent, Ronnie Scott's - 'sublime miniaturism'Tuesday, 07 October 2014
“Were we leaving Rio, or were we in New York?” Stacey Kent sings in “The Changing Lights”, the title song of her latest album, before moving on seamlessly to “Les Invalides, or Trafalgar Square”. The prosperous, wistful ennui that some of her recorded songs exude, propelled by her impeccable enunciation and glistening tone, is cosmopolitan with a slightly laminated, departure-lounge sameness. It can feel a little bit like a global franchise in polite enervation. Read more... |
Reissue CDs Weekly: OasisSunday, 05 October 2014
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Goat, Concorde 2, BrightonWednesday, 01 October 2014
This is what Goat look like: There are seven of them, five band members and two front-women, the latter constantly whirling about the stage like dervishes. One of the guitarists and the bassist are clad in dark attire with black cowls over their heads akin to those worn by nomadic Arabic riders in the Sahara – but also a little like hangmen. Read more... |
Transgressive Records 10th Anniversary Concert, BarbicanWednesday, 01 October 2014
Transgressive is a bold statement for a record label's tin and, on their 10th anniversary celebration last night, there appeared instead a Caucasian calm to the events. From optimistic William Blake lyric loops in the foyer, to the persistent professions of love from the audience for anyone under the limelight. Read more... |
Andrea Motis / Joan Chamorro Quintet, Pizza Express Jazz ClubWednesday, 01 October 2014
Amy Winehouse, Esperanza Spalding, and Roberto Fonseca were the names tossed and bandied after a London debut of extraordinary charm and maturity from the 19-year-old Spanish singer and multi-instrumentalist Andrea Motis. While a modest Soho crowd was dwarfed by the audience at the Barcelona Jazz Festival where she became, in 2012, the youngest performer to headline, there was a communal tingle of recognition, that we’d witnessed the start of something big. Read more... |
Vance Joy, Institute, BirminghamMonday, 29 September 2014
Vance Joy does not pull in the kind of crowd that you might imagine would be wowed by a ukulele or an acoustic guitar. In fact, at the Birmingham date of his sold out UK tour, the place was rammed with fresh-faced teenagers and 20-somethings who were not only unlikely to know any of arch-folkie Richard Thompson’s tunes but also unlikely to have heard of the bloke at all. Read more... |
The Bevis Frond: Miasma
Oasis: (What’s the Story) Morning Glory?Pages
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