New Music Reviews
Shuggie Otis, Jazz CafeWednesday, 21 November 2012
A decade ago I was wearing a T-shirt branded with the cover to Shuggie Otis’s Inspiration / Information album when an American woman approached me, loudly declaring “Shuggie Otis! His wife used to be my best friend! Read more...
|
theartsdesk at the London Jazz Festival: Heart beats on the fringeTuesday, 20 November 2012
Squeezing nearly 300 events into the 10-day dash that is the London Jazz Festival, which has just ended required dozens of venues – many not regular presenters of jazz – to open their doors. From the 606 Club in the west to Oliver’s Bar in Greenwich in the east, the Finchley Arts Depot in the north to the Hideaway down south in Streatham, it is in the pubs, clubs and community venues of London that the jazz festival’s heart beats. Read more... |
Frank Turner and the Sleeping Souls, Picture House, EdinburghMonday, 19 November 2012
Gig-going in the winter can be a difficult business. Plummeting temperatures call for layers, thick coats and scarves - none of which are easily stowed away at your average club show. As the venue starts to fill up with similarly clad bodies the place gets sweatier and sweatier, but by the time you realise you really should have coughed up a couple of quid and the extra wait for the cloakroom you’re probably already hemmed in. Read more... |
Motörhead, O2 Academy BrixtonSunday, 18 November 2012
As Ian “Lemmy” Kilmister heads towards his 67th birthday does he ever reflect on the strange and fabulous journey his 50 years as a professional musician have taken? I doubt it – navel gazing not being something Stoke On Trent’s most famous son is known for indulging in. Read more... |
Reissue CDs Weekly: The Jam, Ray Stinnett, Sandy Denny, The ServantsSunday, 18 November 2012
Thomas H Green Read more... |
Crossfire HurricaneSaturday, 17 November 2012
What a year for great British institutions. Sixty years of Elizabeth II, 50 years of James Bond, and a half-century of the Rolling Stones. To recycle an even older cliche, we will never see the like of any of them again. Read more... |
Noisettes, Oran Mor, GlasgowFriday, 16 November 2012
There is something so otherworldly about Shingai Shoniwa, the vocal powerhouse who fronts Noisettes, that it is unsurprising to see the band play on it. Shoniwa arrived onstage in a blaze of light, in a spinning gold-hooped skirt that seemed to mimic a flying saucer in the chaos, before launching into a storming rendition of the band’s “I Want You Back”. Read more... |
Jake Bugg, KokoThursday, 15 November 2012
Billy Bragg recently described Jake Bugg as “a teenager with an ear for a good tune and a chip on his shoulder". He was referring to Bugg’s evocations of council estate life, which have invited comparisons to the Arctic Monkeys. Others have sneered at the youngster’s friendship with Noel Gallagher and his unashamedly retro sound. But what’s wrong with being an angry young man with a guitar? Read more... |
Kurt Elling and Sheila Jordan, Queen Elizabeth HallThursday, 15 November 2012
Just occasionally an artist hits the truth of the song in such spectacular fashion that it makes you feel with ever greater intensity what it means to be human. Read more... |
Cage Rattling, King's PlaceWednesday, 14 November 2012
In 1991, the Basque performance artist Esther Ferrar wrote a letter to modern music’s inventive genius, John Cage, on the future of anarchism. Read more... |
The Jam: The GiftPages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Stiletto, Charing Cross Theatre review - new musical excess
That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...
Apex Predator, Hampstead Theatre review - poor writing turns...
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...
Album: Elton John and Brandi Carlile - Who Believes in Angel...
Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in Angels? ...
Balanchine: Three Signature Works, Royal Ballet review - exu...
Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...
theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apo...
Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...
Howard Amos: Russia Starts Here review - East meets West, vi...
Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...
DVD/Blu-ray: The Substance
“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”
Coralie Fargeat,...
A Working Man - Jason Statham deconstructs villains again
The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...
Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...
The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...