mon 19/05/2025

New Music Reviews

Album: FKA Twigs - Eusexua

Katie Colombus

It would be really easy to get hung up on the definition for this album. Is it a new sexuality term? A holiday genre of technopop? A planet that will align with the others on January 29th?

English singer Tahliah Debrett Barnett, aka FKA Twig, describes via X, that "eusexua is a practice, eusexua is a state of being, eusexua is the pinnacle of human experience".

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Music Reissues Weekly: The Twilights - Twilights Time The Complete 60s Recordings

Kieron Tyler

On 26 September 1966, The Twilights set-off from Australia to Britain. The journey, on the liner the Castel Felice, took six weeks. A day after boarding they learned their sixth single, “Needle in a Haystack,” was an Australian number one. There was nothing they could do to promote the hit, so after disembarking at Southampton they looked for work.

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Album: The Weather Station - Humanhood

Kieron Tyler

Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they mostly lack singing. Instrumentation is jazzy, leaning on piano and wind instruments. Drones and white noise evoke ocean spray or wind. In one case, a wordless vocal edges towards articulating recognisable syllables.

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Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedral Story 2004-2024

Kieron Tyler

Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as well as on a track-by-track basis. There were obvious influences: Kraftwerk, late-period Spacemen 3, motorik, My Bloody Valentine. But it didn’t sound like anyone else. Charlie Boyer and Ben Pleng had created a wonder.

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Album: Bridget Hayden and The Apparitions - Cold Blows The Rain

Kieron Tyler

The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse. Rhythms are measured. Nothing is hurried. If this album was a weather forecast, it would predict impenetrable mist followed by cold rain and wind. Then, more mist.

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Music Reissues Weekly: American Baroque - Chamber Pop and Beyond 1967-1971

Kieron Tyler

The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an elegiac atmosphere is set. The voice, coming in just-short of the 10-second mark, is similarly yearning in tone. The song’s opening lyrics convey dislocation: “You and I travel to the beat of a different drum.”

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Albums of the Year 2024: The Last Dinner Party - Prelude to Ecstasy

Kathryn Reilly

Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the many truly excellent albums I’ve reviewed this year should get the ‘top prize’ has, frankly, been ridiculous. I’m not an indecisive person. And, for God knows that reason, I feel personally loyal to the artists upon whom it would have been easier to bestow this huge honour (Nadine Shah, Elbow, Joan as Policewoman, see below).

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Best of 2024: Music Reissues Weekly

Kieron Tyler

A reissue can be an aide-mémoire, a reminder that a record which has been off the radar for a while needs revisiting, that it deserves fresh attention.

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Travis, OVO Hydro review - a Christmas night out with some regrets

Jonathan Geddes

Travis arrived onstage with the theme tune from classic sitcom Cheers as an accompaniment. The cavernous OVO Hydro might not be a place where everyone knows your name, but a Glasgow homecoming by local lads made good certainly tapped into a festive vibe of friends and familiarity, with singer Fran Healy making ample reference to the group’s roots during their set.

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The Unthanks in Winter, Cadogan Hall review

Tim Cumming

A suitable place to find yourself out for the winter solstice, buttoning up for the longest night of the year, was at the Cadogan Hall off Sloane Square, a former place of worship marking its 20th year as a concert hall.

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