thu 21/08/2025

New Music Reviews

Album: Deftones - Private Music

Ibi Keita

Deftones’ Private Music arrives as the band’s long-awaited tenth studio album, carrying with it the weight of expectation built from nearly three decades of powerful records. Known for mixing aggression, atmosphere and vulnerability in equal measure, Deftones have rarely missed the mark. Sadly, this latest release does not live up to their impressive past.

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Album: Eve Adams - American Dust

Kieron Tyler

A sticker on the cover of American Dust is says it’s “an ode to the beauty of the American Southwest,” specifically the High Desert area within the wider setting of California's Mojave Desert. North-East of Los Angeles, this region contrasts with the city’s urban and suburban sprawl by incorporating scattered settlements.

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Gibby Haynes, O2 Academy 2, Birmingham review - ex-Butthole Surfer goes School of Rock

Guy Oddy

Gibby Haynes is the wild-eyed crazy man who used to front the Butthole Surfers back in the 1980s and 1990s. At the time, there was none weirder or more out there than the Texan psychedelic punks – and even Ice-T was then prepared to step back and acknowledge their place in the pantheon of musical barbarians.

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Music Reissues Weekly: The Residents - American Composer's Series

Kieron Tyler

George & James was originally released in March 1984. Stars & Hank Forever! emerged in October 1986. The two LPs were parts of – and, as it turned out, the only entrants in – a series of albums their creators, San Francisco’s Residents, designated the American Composer’s Series.

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BBC Proms: Anoushka Shankar 'Chapters' review - somehow, it worked

Sebastian Scotney

You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and utters a welcoming, exploratory, London-ish “Hi... welcome to my Prom… Oh, my God!”, a friendly connection with audience is made. Instantly and with disarming ease.

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Album: Marissa Nadler - New Radiations

Kieron Tyler

“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song is about a farewell. The album ends with “Sad Satellite,” where the titular heavenly object is used as a metaphor for distance, when the gap is increasing between the narrator and the subject: the latter a character who is “sucking me dry” and “took me for ride”.

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Music Reissues Weekly: The Final Solution - Just Like Gold

Kieron Tyler

The booklet coming with Just Like Gold - Live At The Matrix frequently refers to the band as “The Solution.” It will be the same here.

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Mogwai / Lankum, South Facing Festival review - rich atmospheres in a south London field

India Lewis

Running as part of the South Facing Festival in Crystal Palace Bowl, Thursday’s headliners, Mogwai, and their friends across the water, Lankum, were an excellent pairing, both atmospheric, wonderful musicians whose instrumental (and vocal, in the case of Lankum) virtuosity, were a real joy to listen to.

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Wilderness Festival 2025 review - seriously delirious escapism

Katie Colombus

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing for Veuve Clicquot, or watch a man dressed as a vicar strip naked mid-cricket match without anyone blinking. It is, in every sense, deeply decent – equal parts bougie and bonkers, like a country house party that accidentally invited in the circus, the club kids, and a few stray shamans.

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Music Reissues Weekly: Chip Shop Pop - The Sound of Denmark Street 1970-1975

Kieron Tyler

One of the more interesting tracks on Paul Weller’s fascinating new cover versions album Find El Dorado is his interpretation of “When You Are a King,” originally a 1971 hit for White Plains, an ensemble which evolved from the touring version of “Let’s go to San Francisco” hitmakers Flowerpot Men. White Plains, it turns out, are represented on another new release.

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