wed 27/11/2024

Quiz, ITV review - cheats never prosper Well, hardly ever | reviews, news & interviews

Quiz, ITV review - cheats never prosper. Well, hardly ever

Quiz, ITV review - cheats never prosper. Well, hardly ever

Clever and witty TV adaptation of James Graham's 'Coughing Major' play

Jackpot: Sian Clifford, Matthew Macfadyen and Michael Sheen

James Graham’s play Quiz was a hit in Chichester in 2017 and then made a much-admired transfer to the West End. Considering its subject matter – the fabled “Coughing Major”, Charles Ingram, who allegedly cheated his way to the titular seven-figure sum on Who Wants to Be a Millionaire? – it was a natural for TV.

Under the suave directorial hand of Stephen Frears, Graham’s three-part adaptation of his play told the Ingram story with wit and sparkle, though sadly viewers weren't able to vote in the way theatre-goers were. It didn't just focus on the supposed crime and its aftermath, but also depicted the birth of the Millionaire phenomenon, and how its berserk runaway ratings were music to the spreadsheets of ITV’s accountants and then-new programmes director David Liddiment.However, the scale of its success was itself problematic, and (in this telling at any rate) prompted the birth of a shadowy covert industry, gathering in pubs and back rooms around the country, dedicated to finding ways to game the game. Methods were found to get contestants onto the show by exploiting the predictability of the initial screening questions, while the think-tank of quiz experts connected to a sophisticated system of telephone lines to supply “Phone a Friend” answers was worthy of Bletchley Park. In hindsight, it’s remarkable that the programme-makers weren’t more alert to the dangers, with numerous contestants popping up multiple times.

However, Charles Ingram wasn’t one of the hardcore Millionaire obsessives, and indeed seemed barely interested in quizzes and game shows at all. After the cheating scandal broke and investigations were made, Ingram and his wife Diana were both given suspended prison sentences, without any definitive proof of their guilt. This has given Graham latitude to tease the viewer by letting the balance of probability sway gently from side to side. It was certainly true that Diana (Sian Clifford), far more of a quiz junkie than her husband, was sailing close to the wind by writing a book with her brother full of tips about how to succeed on Millionaire. As for Charles (played with somewhat canine amiability by Matthew Macfadyen), he seemed about the last person likely to bag the Millionaire star prize, being blissfully ignorant of all areas of pop culture whence many of the questions were likely to come. Scenes of him marching around the countryside with Diana, swotting up on the Sugababes and Coronation Street, were among many mordant comic gems.

Entertaining as the TV studio sequences were, with Michael Sheen’s portrayal of quizmaster Chris Tarrant teetering cheekily between impersonation and parody, the final episode kicked up a gear with its account of the Ingrams’ trial. While the prosecuting QC Nicholas Hilliard (Nicholas Woodeson) behaved like a showbiz groupie (“is that your final answer?” he asked Tarrant, laughing obsequiously at his own joke), formidable defence counsel Sonia Woodley (Helen McCrory at full steam ahead, pictured above) drove a bulldozer through the prosecution case. In Graham’s telling, the way she picked apart the allegations that strategic coughing (mostly by Tecwen Whittock) had been telling Ingram which answers to choose seemed to make a conviction impossible. Though that still didn’t prove he was innocent…

Charles Ingram wasn’t a 'Millionaire' obsessive, and seemed barely interested in quiz shows at all

rating

Editor Rating: 
4
Average: 4 (1 vote)

Explore topics

Share this article

Comments

A nice review. The programme was most entertaining and I felt genuinely sorry for the cruelty the Ingrams were forced to endure from their 'neighbours'. The defence put some very strong points indeed and I would like to know why the jury seemed to just push this aside. Re the last sentence of the review- Ingram didn't have to prove he was innocent. The prosecution had to prove he was guilty - and beyond reasonable doubt. How did they manage to achieve that standard of proof on the evidence presented?

Thanks Richard. Yes, quite agree about the evidence and the questionable conviction. I see Chris Tarrant has now decided that Ingram was guilty.

Quite so. Good points! The programme raised these excellent points raised by the defence, but didnt give any indication of the counters, nor of ny guidance in the Judge's summing up. It gives the impression that the conviction was unjust. Chris Tarrant's views may represent his convictions - but on the other hand, might he nott come underl some pressure to support the position of his employers/prospective future employers? Did he say why he revised his belief from the evidence he gave?

Tarrant did a radio interview about it, which was reported in several papers, eg this one: https://www.standard.co.uk/stayingin/tvfilm/chris-tarrant-charles-ingram...

Tarrant never mentioned this, though - https://www.amazon.co.uk/Bad-Show-Cough-Millionaire-Major-ebook/dp/B00SO... Nor the volte-face I induced in a man who attended all 18 days of the trial to report on it for the Guardian, and thought them as guilty as sin. Until I changed his mind... https://www.theguardian.com/commentisfree/2006/jul/17/couldthewhowantsto...

What the programme did not show was all the evidence the Jury heard which convinced them after very long consideration to find a unanimous verdict of guilty.

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters