fri 23/02/2024

Theatre Books

Extract: David Lan's As If By Chance

David Lan

In June 2001 the London Festival of International Theatre brought Amir Nizar Zuabi’s Alive from Palestine to the Royal Court Theatre for one performance. The Guardian said, “How often do you see a piece of necessary theatre? These 'stories under occupation' fall precisely into that category. We are used to the idea of theatre as a diversion.

Read more...

Extract: Peter Brook - Tip of the Tongue: Reflections on Language and Meaning

Peter Brook

A long time ago when I was very young, a voice hidden deep within me whispered, "Don’t take anything for granted. Go and see for yourself." This little nagging murmur has led me to so many journeys, so many explorations, trying to live together multiple lives, from the sublime to the ridiculous.

Read more...

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


latest in today

Marx in London, Scottish Opera review - the humour of histor...

 An opera about a day in the life of Karl Marx doesn’t...

Hir, Park Theatre review - incendiary production for Taylor...

In 2017, two years after Hir premiered, Taylor Mac was awarded a “Genius Grant” and nominated for a Pulitzer Prize for drama....

Memory review - love, dementia and truth

Procul Harum’s “A Whiter Shade of Pale” is given a new lease on life in...

Samuel Takes a Break... in Male Dungeon No. 5 after a long b...

You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you...

King Lear, Almeida Theatre review - Danny Sapani dazzles in...

Less than three years after her magnificent Macbeth, Yaël Farber returns to the Almeida with another...

Bill Bailey: Thoughtifier, Brighton Centre review - offbeat...

I first saw Bill Bailey at least 30 years ago in the cabaret tent at...

Hadestown, Lyric Theatre review - soul-stirring musical glor...

Doom and gloom, we are told, may have abounded in the classical underworld, but Hadestown suggests otherwise. Returning to...

Tom Chatfield: Wise Animals review - on the changing world

Consider a chimp peeling a stick which it will poke into a termite nest. It strikes us as a human gesture. Our primate cousin is fashioning a tool...

Album: Aziza Brahim - Mawja

Glitterbeat is home to a wildly eclectic and reliably brilliant world of...

An Enemy of the People, Duke of York's Theatre - perfor...

Real life is a helluva lot scarier right now than you might guess from the performative theatrics on display in the new...