Theatre Reviews
Ragdoll, Jermyn Street Theatre review - compelling and emotionally truthfulThursday, 16 October 2025
Oh yes, I actually do remember Patty Hearst. She was the American publishing magnate William Randolph Hearst’s granddaughter, who, at the age of 19, was kidnapped by the ultra-left Symbionese Liberation Army in 1974. Some months after her abduction, a bank’s surveillance video showed her participating in a robbery. Read more... |
Troilus and Cressida, Globe Theatre review - a 'problem play' with added problemsSaturday, 11 October 2025
The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National Theatre some 20 minutes walk away along the Thames. There’s not quite Elizabethan levels of discomfort to endure, so no plague – well, not if you’ve had your jabs. Read more... |
Clarkston, Trafalgar Theatre review - two lads on a road to nowhereFriday, 10 October 2025
If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in the back office had also heard of him, as tickets are priced up to and beyond £100 for a 100 minutes all-through, 10-years-old three-hander that would sit comfortably at the Arcola at less than half that price. It was telling that there were a fair few seats unoccupied at the matinee I attended. Read more... |
Ghost Stories, Peacock Theatre review - spirited staging but short on scaresThursday, 09 October 2025
In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience. Somewhat to my suprise, up went my hand. In the cold winter of 1981/82, I lived in a house in Finchley. Read more... |
Hamlet, National Theatre review - turning tragedy to comedy is no jokeSaturday, 04 October 2025
The National’s latest production of Hamlet opens with a bang: a sureness of style, atmosphere and refreshing comedic effect, accompanied by a performer, Hiran Abeyeskera (The Father and the Assassin, Life of Pi), whose presence promises a night of sparky originality. Read more... |
Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its partsSaturday, 04 October 2025
It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually challenging as they are visually exhilarating. Last week, audiences were asked to understand the forces of globalisation that shaped a royal wedding dress in the Théâtre National de Strasbourg’s multimedia tour de force, Lacrima. Read more... |
Lee, Park Theatre review - Lee Krasner looks back on her life as an artistSaturday, 04 October 2025
Like fellow New Yorker, Lee Miller, Lee Krasner changed her given name, the better to be accepted into what she called "The Boys Club" of 20th century Modern Art. Like Miller, she was known more for her working and romantic partnership with a major artist – for Man Ray, read Jackson Pollock. Read more... |
Measure for Measure, RSC, Stratford review - 'problem play' has no problem with relevanceFriday, 03 October 2025
An opening video montage presents us with a rogues' gallery of powerful men who have done bad things. Plenty of the usual suspects appear to stomach-churning effect, but no ex-President Nicolas Sarkozy, sentenced last week to five years in prison by the usually tolerant French. So the problem certainly hasn’t gone away with the Clintons, Weinsteins and they’re ilk. Read more... |
The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer festThursday, 02 October 2025
Star casting has, since the pandemic, done much to restore the fortunes of commercial theatre. And, when they can pull off a similar deal, the same applies to subsidised venues. If the downside is that many smaller institutions get left behind, the upside is clearly visible all over the West End. Read more... |
Get Down Tonight, Charing Cross Theatre review - glitz and hits from the 70sWednesday, 01 October 2025
In a fair few bars around the world tonight, bands will be playing “That’s The Way (I Like It)”, “Give It Up” and so many more of KC and the Sunshine Band’s bangers. They’ve filled dancefloors for half a century and Harry Wayne Casey (KC to you and me) has a claim to having written the first ever disco hit with George McCrae’s “Rock Your Baby” – Benny and Bjorn’s inspiration for “Dancing Queen” no less! Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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