Theatre Reviews
Typical, Soho Theatre online review - powerfully poetic and painfulFriday, 26 February 2021
As the events of last year made clear, the police have a problem with race on both sides of the Atlantic. In the UK, BAME people are more than twice as likely to die in police custody while being forcibly restrained than people from other social groups. Read more... |
Sherlock Holmes: The Case of the Hung Parliament review – choose-your-own whodunnitThursday, 25 February 2021
I’ll admit, I’ve never been a fan of murder mysteries. Patience is not one of my virtues; if I can’t work something out in 30 seconds, I’m liable to give up, and whodunnits tend to need a bit longer than that. Read more... |
Barnes' People, Original Theatre Company online review - intriguing quartet of monologues revivedTuesday, 23 February 2021
The four monologues that make up Barnes’ People were filmed in the grand surroundings of the Theatre Royal, Windsor, and that venue's atmospheric spaces (now deserted, of course) seem to tell a sad tale of their own, one that chimes rather appropriately with the mood of some of them. Read more... |
The Color Purple - at Home, Curve online review – life-affirming musical retelling of Alice Walker's novelMonday, 22 February 2021
This production of The Color Purple is an extraordinary testimony to the fact that many of the 20th century’s most joyous forms of music – jazz, ragtime and of course blues – had their roots in misery and oppression. Read more... |
Hymn, Almeida Theatre online review - highs and lows of a soulful brother bondingFriday, 19 February 2021
Contact without touch: among the many readjustments that the pandemic has brought to theatre, its demands that restrict direct contact almost to nothing must be among the most testing. We have learnt much about how rigorously any new production – for now, only live-streamed – must be prepared: the regular testing in rehearsals, the two-metre distancing, the repeated cleaning of props. Read more... |
All On Her Own, Stream.Theatre online review - a vivid monologue on bereavementWednesday, 17 February 2021
This stunningly delivered online monologue from a bereaved widow to her husband feels simultaneously incredibly timely and very dated. At this time of lockdown it is chilling to wonder how many rooms across the world contain individuals with only ghosts for comfort. Read more... |
Romeo and Juliet, Palace Theatre, Manchester online review - futuristic and timelyFriday, 12 February 2021
The story of Romeo and Juliet is well known, worth revisiting endlessly and always relevant. But there is another story here: the making of the piece using innovative digital technology including CGI, to keep actors and creative team safe in a pandemic. Read more... |
Good Grief, Platform Presents online review - a little more, pleaseFriday, 12 February 2021
Good Grief, a new show from American screenwriter and playwright Lorien Haynes, can’t work out what it wants to be. It’s billed as an “online filmed production”. Read more... |
Shook, Papatango online review - strongly acted, but depressingly predictableFriday, 05 February 2021
Film is the new theatre – this we know, but does the distance imposed by the change of medium increase or decrease the impact of the story? Read more... |
Love in a Wood, Jermyn Street Theatre review - stars gather remotely for a lively online presentationMonday, 01 February 2021
Swaggering rakes, posturing fops, sexual intrigue, illicit encounters, wit, artifice, wigs, fans and beauty spots - these are familiar ingredients of Restoration comedy. It is a louche world where the word "mask" is associated with naughty goings on under cover of darkness rather than health worries, and where social distancing and restraint have no place. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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