Theatre Reviews
Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at the Planetarium / PAINKILLERSFriday, 01 August 2025
Alright Sunshine, Pleasance Dome ★★★★★ Read more... |
The Daughter of Time, Charing Cross Theatre review - unfocused version of novel that cleared Richard IIIThursday, 31 July 2025
Following confirmation that he was the owner of the bones found in a Leicester car park in 2012, Richard III has never been a hotter, or cooler, subject. So his fans will welcome a new play, based on an old book, about the misrepresentation of his character. The uninitiated, possibly not so much. Read more... |
Evita, London Palladium review - even more thrilling the second time roundWednesday, 30 July 2025
Would Jamie Lloyd's mind-bending revival of Evita win through twice in four weeks, I wondered to myself, paraphrasing a Tim Rice lyric from his 1978 collaboration with Andrew Lloyd Webber? Read more... |
Maiden Voyage, Southwark Playhouse review - new musical runs agroundWednesday, 30 July 2025
As the nation basks in the reflected glory of The Lionesses' Euro25 victory, it could hardly be more timely for the Southwark Playhouse to launch a new musical that tells the tale of The Maiden. That was the boat, built and sailed by Tracy Edwards and her crew of resourceful, resilient women, in the Whitbread Round The World Yacht Race 1989, the first such crew to finish the gruelling challenge. Read more... |
The Winter's Tale, RSC, Stratford review - problem play proves problematicTuesday, 29 July 2025
There’s a deal to be made when taking your seat for The Winter’s Tale. It’s one the title alone would have signalled to the groundlings as much as those invited to rattle their jewellery upstairs back in the 17th century – it’s a fairytale, a fantasy, a funny-peculiar play. Perhaps the only play outside pantomime in which a bear gets involved. Read more... |
Brixton Calling, Southwark Playhouse review - life-affirming entertainment, both then and nowTuesday, 29 July 2025
What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a really strong story stand on its own two feet. Like a late one at the Brixton Academy itself, this is a helluva night out. Read more... |
Inter Alia, National Theatre review - dazzling performance, questionable writingMonday, 28 July 2025
Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal, the Hollywood superstar has chosen Inter-Alia, Suzie Miller’s follow up to her smash hit Prima Facie, which starred Jodie Cromer and whose London staging was at the Harold Pinter Theatre in 2022. Read more... |
A Moon for the Misbegotten, Almeida Theatre review - Michael Shannon sears the night skyThursday, 24 July 2025
Michael Shannon's long legs reach to the stars – or perhaps one should say the moon – in the Almeida's hypnotic revival of A Moon for the Misbegotten, the late Eugene O'Neill play that hasn't been seen in London since Kevin Spacey and Eve Best led an Old Vic revival of it in 2006. Read more... |
Burlesque, Savoy Theatre review - exhaustingly vapidWednesday, 23 July 2025
"It all starts with a snap," or so we're told early in the decidedly un-snappy Burlesque, which spends three hours borrowing shamelessly and tediously from far-superior sources to arrive at an artistic dead end. Read more... |
Don't Rock the Boat, The Mill at Sonning review - all aboard for some old-school comedy mishapsTuesday, 22 July 2025
Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema. Its extraordinary locations, caught just before London’s Docklands were transformed forever, speaks to a past world. But the wheeler-dealer, Harold Shand, played by Bob Hoskins at the peak of his powers, left many ancestors, from his near contemporary, Arthur Daley, to a few who have ascended to the highest Offices of State. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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