sun 31/05/2020

Theatre Galleries

Gallery: The Drowned Man of Punchdrunk

theartsdesk

Punchdrunk entered the world of theatre through a side door in the basement. The company navigated a strange path around abandoned warehouses on the edge of town, via the odd wrong turn and sundry culs de sac, and fetched up two years ago at an old Royal Mail sorting office next to Paddington station. It was here that they performed The Drowned Man: A Hollywood Fable.

Read more...

'I'm the photographer. Any nudity? Any fighting?'

Bill Knight

We are sitting in the lobby of the National Theatre in the early afternoon waiting for the photocall for Dara to begin. Six or seven photographers, one woman, all dressed in jeans and dark jackets with large camera bags, some on wheels. There is not much conversation. As a relative newcomer I don't normally speak, but on this occasion I venture a remark.

“I have seen this play.”

After a pause one of the company says, “You're keen.”

Read more...

Cob Studios & Gallery: Is north the new east?

Hilary Whitney 'Les Amants (Cascade )', 2009,  Noemie Goudal: The Cob Gallery opens with an exhibition that contemplates our modern relationship with nature

A burgeoning North London art scene, which includes the Zabludowicz Collection in Chalk Farm and one of the London outposts of the Gagosian Gallery, suggests that the art world has the North firmly in its sights and tomorrow sees the opening of its latest addition, Cob Studios & Gallery, based in the heart of Camden Town. Cob is jointly run by playwright Polly Stenham and Victoria Williams and aims to be a truly collaborative venue exhibiting work by emerging and established artists and...

Read more...

Production Gallery: Ockham's Razor

Jasper Rees

These photographs shows Ockham's Razor in performance. While there is a fierce kinetic energy to their work, photography captures something of its still beauty.

Read more...

Production Gallery: Annie Get Your Gun, Young Vic

theartsdesk

Keith Pattison took photographs of Richard Jones's new production of Annie Get Your Gun for the Young Vic. Read Matt Wolf's review here.

Read more...

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


latest in today

Matthew Kneale: Pilgrims review – adventures on the road to...

Some things really never change. After a blatant cheat perpetrated by a well-connected lout, one of the humblest pilgrims in Matthew Kneale’s band...

Moyra Davey: Index Cards review – fragments of the artist

Moyra Davey’s biographical note, included in Fitzcarraldo Editions’ copy of Index Cards, describes “a...

Reissue CDs Weekly: Edikanfo - The Pace Setters

Ghana was visited by two British musicians in the early Eighties. One was Mick Fleetwood, who recorded the Visitor album in Accra during...

Keiichiro Hirano: A Man review - the best kind of thriller

Keiichiro Hirano’s A Man has all the trappings of a ...

DVD: Little Women

For the average female millennial, Greta Gerwig’s Little Women is the perfect film to watch in lockdown. Brought up on Winona Ryder’s Jo...

The Vast of Night review - perfectly paranoid

The Vast of Night’s premise scarcely guarantees originality. Non-...

Dalí Theatre-Museum, Figueres, virtual tour review - tantali...

Salvador Dalí’s house at Portlligat on the Costa Brava is straight out of the pages of a lifestyle magazine, its sunbaked white walls dazzling in...

Album: Bab L'Bluz - Nayda

Bab L’Bluz are a Franco-Moroccan band, They’re the latest in a...

This House, National Theatre at Home review – timely revival...

There is a line of argument that – unfairly – blames ...