Theatre Interviews
'I loved being a dresser': Sir Ronald Harwood, Oscar-winning writer, dies at 85Wednesday, 09 September 2020![]()
Ronald Harwood, who has died at the age of 85, was best known for his play about tending to the needs of the larger-than-life actor-manager Donald Wolfit. Read more...
|
'By the end I’d lost me': Joe Simpson, mountaineer and writer - interviewSaturday, 16 November 2019![]()
In Peru in 1985, Joe Simpson - then 25 - and his 21-year-old climbing partner Simon Yates were descending the remote Siula Grande, which was hard to get up but even harder to get down, when Simpson broke his leg. They both assumed it was a death sentence, but Yates gave him a couple of paracetamol, dug himself into a bucket seat in the snow and lowered the stricken Simpson down the mountain slope, paying out 300ft of rope, then climbing down and doing it again, and again, for hours. Read more... |
theartsdesk Q&A: Lia Williams on the challenges of theatreSunday, 14 July 2019![]()
Lia Williams is not an actor who looks for easy options. Twice she has played two characters in the same production, switching between them for different performances. Read more... |
theartsdesk Q&A: playwright William NicholsonSaturday, 27 April 2019![]()
It is 30 years since Shadowlands, William Nicholson's much-loved play about CS Lewis's unexpected love affair with Joy Gresham, an American poet, was first seen on stage. Read more... |
10 Questions for actress and playwright Nicôle LeckyWednesday, 24 April 2019![]()
Nicôle Lecky’s one woman show Superhoe has added fire to the reputation of an already fast-rising actress and writer. Read more... |
10 Questions for Candice Edmunds of Theatre Company Vox MotusThursday, 14 March 2019![]()
“When we graduated we were seeing lot of theatre as a literary form,” explains Candice Edmunds of the theatre company Vox Motus, “But we were really excited by it as a visual form and everything we make, from our earliest scratch pieces up to Flight, has really been an experimentation into how much we can substitute dialogue and the written word for theatrical visuals.” Read more... |
Robert Hastie: 'a seam of love runs through the play' - interviewMonday, 12 November 2018![]()
Robert Hastie is a little late for our meeting. Directing Shakespeare's darkest tragedy in London while also running Sheffield Theatres must sometimes cause a logjam of simultaneous demands, but whatever the morning's problem in the north of England, he remains smiling, relaxed, thoughtful and gracious during a break from rehearsals. Read more... |
theartsdesk Q&A: Theatre Producer Elyse DodgsonFriday, 26 October 2018![]()
The Royal Court Theatre has long been a leader in new British drama writing. Thanks to Elyse Dodgson, who has died aged 73, it has built up an international programme like few others in the arts, anywhere. At the theatre, Elyse headed up readings, workshops (in London and abroad), exchanges and writers’ residencies that might have suggested a team of 15 or so but her department was modest in size. Read more... |
Ian Rickson: 'I'm an introvert, I want to stop talking about myself' - interviewTuesday, 22 May 2018![]()
Ian Rickson’s route into theatre was not conventional. Growing up in south London, he discovered plays largely through reading them as a student at Essex University. During those years he stood on a picketline in the miners’ strike, and proudly hurled the contents of an eggbox at Cecil Parkinson. He is a lifelong supporter of Charlton Athletic. Read more... |
10 Questions for Sharon Smith of Arts Collective Gob SquadThursday, 26 April 2018![]()
Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in multimedia performance. Beginning in Nottingham in 1994 and now based in Berlin, their work ranges from site-specific to installation and film but, more recently, mainly theatre. They major in using technology to “make connections with places outside the theatre or to... Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today

Crispy Moon is a musical kaleidoscope encompassing free-jazz skronk,...

For die-hard Juliette Binoche fans – don’t cross us, we get angry – Between Two Worlds is heaven. The...

Words and situations are one-dimensional, but the music is chameleonic, if not profound, and crafted with a master’s hand. What to do about ...

Boris Johnson was of course not the first British leader to engineer a split with Europe for...

In Maltese-American Alex Camilleri’s debut feature, it’s a case of follow the swordfish. This terrifically atmospheric, almost documentary-like...

In this best-selling Korean novella, recently translated into English by Jamie Chang, Kim...

Nouvelle Vague directors have grown to seem more diverse than bonded, a golden generation linked by extreme...

With Jurassic World: Dominion due in June, which will mark the end of the “Jurassic” movie franchise, here’s Apple TV’s alternative,...

This album starts and ends so brilliantly. It kicks off with a salvo of three tracks that remind you exactly why Def Leppard became one of the...

The challenge for the makers of Das Boot is to keep...