Theatre Interviews
'By the end I’d lost me': Joe Simpson, mountaineer and writer - interviewSaturday, 16 November 2019
In Peru in 1985, Joe Simpson - then 25 - and his 21-year-old climbing partner Simon Yates were descending the remote Siula Grande, which was hard to get up but even harder to get down, when Simpson broke his leg. They both assumed it was a death sentence, but Yates gave him a couple of paracetamol, dug himself into a bucket seat in the snow and lowered the stricken Simpson down the mountain slope, paying out 300ft of rope, then climbing down and doing it again, and again, for hours. Read more... |
theartsdesk Q&A: Lia Williams on the challenges of theatreSunday, 14 July 2019
Lia Williams is not an actor who looks for easy options. Twice she has played two characters in the same production, switching between them for different performances. Read more... |
theartsdesk Q&A: playwright William NicholsonSaturday, 27 April 2019
It is 30 years since Shadowlands, William Nicholson's much-loved play about CS Lewis's unexpected love affair with Joy Gresham, an American poet, was first seen on stage. Read more... |
10 Questions for actress and playwright Nicôle LeckyWednesday, 24 April 2019
Nicôle Lecky’s one woman show Superhoe has added fire to the reputation of an already fast-rising actress and writer. Read more... |
10 Questions for Candice Edmunds of Theatre Company Vox MotusThursday, 14 March 2019
“When we graduated we were seeing lot of theatre as a literary form,” explains Candice Edmunds of the theatre company Vox Motus, “But we were really excited by it as a visual form and everything we make, from our earliest scratch pieces up to Flight, has really been an experimentation into how much we can substitute dialogue and the written word for theatrical visuals.” Read more... |
Robert Hastie: 'a seam of love runs through the play' - interviewMonday, 12 November 2018
Robert Hastie is a little late for our meeting. Directing Shakespeare's darkest tragedy in London while also running Sheffield Theatres must sometimes cause a logjam of simultaneous demands, but whatever the morning's problem in the north of England, he remains smiling, relaxed, thoughtful and gracious during a break from rehearsals. Read more... |
theartsdesk Q&A: Theatre Producer Elyse DodgsonFriday, 26 October 2018
The Royal Court Theatre has long been a leader in new British drama writing. Thanks to Elyse Dodgson, who has died aged 73, it has built up an international programme like few others in the arts, anywhere. At the theatre, Elyse headed up readings, workshops (in London and abroad), exchanges and writers’ residencies that might have suggested a team of 15 or so but her department was modest in size. Read more... |
Ian Rickson: 'I'm an introvert, I want to stop talking about myself' - interviewTuesday, 22 May 2018
Ian Rickson’s route into theatre was not conventional. Growing up in south London, he discovered plays largely through reading them as a student at Essex University. During those years he stood on a picketline in the miners’ strike, and proudly hurled the contents of an eggbox at Cecil Parkinson. He is a lifelong supporter of Charlton Athletic. Read more... |
10 Questions for Sharon Smith of Arts Collective Gob SquadThursday, 26 April 2018
Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in multimedia performance. Beginning in Nottingham in 1994 and now based in Berlin, their work ranges from site-specific to installation and film but, more recently, mainly theatre. They major in using technology to “make connections with places outside the theatre or to... Read more... |
10 Questions for Performer Seth KriebelThursday, 05 April 2018
Seth Kriebel, 45, is a performer, much of whose work involves audience participation. He is bringing the show A House Repeated to the Brighton Festival 2018 between 6th and 11th May. Of American origin, born and raised near Philadelphia, Kriebel moved to the UK in 2001 and,... Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Matthew Kneale: Pilgrims review – adventures on the road to...
Some things really never change. After a blatant cheat perpetrated by a well-connected lout, one of the humblest pilgrims in Matthew Kneale’s band...
Moyra Davey: Index Cards review – fragments of the artist
Moyra Davey’s biographical note, included in Fitzcarraldo Editions’ copy of Index Cards, describes “a...
Reissue CDs Weekly: Edikanfo - The Pace Setters
Ghana was visited by two British musicians in the early Eighties. One was Mick Fleetwood, who recorded the Visitor album in Accra during...
Keiichiro Hirano: A Man review - the best kind of thriller
Keiichiro Hirano’s A Man has all the trappings of a ...
DVD: Little Women
For the average female millennial, Greta Gerwig’s Little Women is the perfect film to watch in lockdown. Brought up on Winona Ryder’s Jo...
The Vast of Night review - perfectly paranoid
The Vast of Night’s premise scarcely guarantees originality. Non-...
Dalí Theatre-Museum, Figueres, virtual tour review - tantali...
Salvador Dalí’s house at Portlligat on the Costa Brava is straight out of the pages of a lifestyle magazine, its sunbaked white walls dazzling in...
This House, National Theatre at Home review – timely revival...
There is a line of argument that – unfairly – blames ...