Theatre Interviews
10 Questions for Actor Conleth HillMonday, 13 February 2017
Some know him only as Lord Varys the scheming eunuch, spymaster to the king of the Seven Kingdoms. Game of Thrones fans may be less familiar with Conleth Hill's other career as a nimble. light-footed stage actor of staggering range and skill whose name, mystifyingly, is less celebrated than his talents deserve. That is about to change. Read more... |
10 Questions for Actress Phoebe FoxMonday, 06 February 2017
In London and New York, Phoebe Fox (b. 1987) is known to theatregoers as Catherine, the niece over whom Mark Strong's Eddie Carbone went pazzo. Their physical intimacy, in Ivo van Hove’s sizzling Young Vic production of A View from the Bridge, made for an intensely uncomfortable viewing experience. For her return to the stage, Fox is in a frothier one-sided relationship. Read more... |
Interview: Claire Foy, Netflix queenMonday, 09 January 2017
It was a good night for British thespians at the 2016 Golden Globes. The stars of The Night Manager – Tom Hiddleston, Hugh Laurie and Olivia Colman – all visited the podium to collect awards. Read more... |
10 Questions for Director Christopher LuscombeTuesday, 06 December 2016
When Shakespeare visits the bearpit of the West End, it is usually in the company of a big name: Judi Dench, Sheridan Smith, Martin Freeman. This Christmas the bard enters the Theatre Royal, Haymarket without any such support. And there is a further hurdle to clear: Love’s Labour’s Lost is barely ever been seen outside the subsidised sector. Read more... |
10 Questions for Playwright James GrahamTuesday, 29 November 2016
Coalitions make for drama, and for comedy. We know that from, respectively, Borgen and the final series of The Thick of It. It is little wonder therefore that soon after the 2010 election delivered a hung Parliament, the National Theatre commissioned a play. And yet the drama that emerged was not about deals struck in back rooms by the Cameron-Clegg government. Read more... |
10 Questions for Actor David TroughtonMonday, 14 November 2016
David Troughton (b.1950), a familiar face on television and a Royal Shakespeare Company veteran, is a versatile actor. His most recent RSC appearance before Gloucester displayed his talent for comedy: he was a funny and energetic Simon Eyre in Dekker's The Shoemaker's Holiday in his favourite theatre, the Swan at Stratford. Read more... |
10 Questions for Director Lucy BaileyWednesday, 26 October 2016
Theatre was not Lucy Bailey’s first target. At school she was a flautist, headed probably for music. Then, in her gap year, she took a job as a telephonist at Glyndebourne, and noticed a vigorous man with a beard – name of Peter Hall – moving people around on stage. She asked what he was doing. Directing, she was told. That changed her. Read more... |
theartsdesk Q&A: Playwright Katori HallSunday, 02 October 2016
Is Katori Hall (b. 1981) the embodiment of Martin Luther King’s dream? She was born in Memphis, the city where King died. The Mountaintop, her play about his last night alive, had its world premiere at Theatre 503, a tiny pub stage in south London. But the unanimity of the reviews, combined with the timely arrival of a black man in the White House, propelled the two-hander into the West End where it played to standing ovations from notably multiracial audiences. Read more... |
10 Questions for Playwright Joe PenhallTuesday, 10 May 2016
Joe Penhall first thwacked his way to the attention of British theatregoers more than 20 years ago with a series of plays about schizos and psychos and wackos. An iconoclastic laureate of lithium, his early hit Some Voices (1994), about a care-in-the-community schizophrenic, went on to be filmed starring Daniel Craig. In 2000 he returned to the subject in Blue/Orange. Read more... |
10 Questions for Artistic Director Emma RiceSaturday, 07 May 2016
In his last minutes as the artistic director of Shakespeare’s Globe, Dominic Dromgoole took to the stage to reflect on his years at the helm. Behind him was the cast of Hamlet, home after two years on the road playing to audiences from every country on the planet. He acknowledged his predecessor Mark Rylance, who waved a hat from the throng of groundlings, and then pointed up to the circle where his successor Emma Rice was greeted with gales of welcoming applause. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Juno and the Paycock, Gielgud Theatre review - a shockingly...
"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality...
Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall,...
Two splendid pieces of orchestral virtuosity began and finished the second Saturday concert by the BBC Philharmonic under John Storgårds at the...
Angry and Young, Almeida Theatre review - vigorous and illum...
Why should we not look back in anger? With the Oasis reunion tour in the news recently, the title of John Osborne’s seminal kitchen-sink drama –...
Blond Eckbert, English Touring Opera review - dark deeds afo...
Judith Weir’s Blond Eckbert, presented by English Touring Opera...
Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...
As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last...
The Marrriage of Figaro, Opera Project, Tobacco Factory, Bri...
The Marriage of Figaro is undoubtedly one of the greatest operas ever written....
Album: Permafrost - The Light Coming Through
While it does get very cold in the north of Norway, it’s likely that Permafrost’s chosen name reflects a fondness for Howard Devoto’s post-punk...
Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...
Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...
Things Will Be Different review - lost in the past
Time-travel is a trap in debutante Michael Felker’s...
Joan, ITV1 review - the roller-coaster career of a 1980s jew...
If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....