sun 19/09/2021

Theatre Interviews

10 Questions for Playwright Simon Stephens

Marianka Swain

Fresh from global domination with The Curious Incident of the Dog in the Night-time, currently garnering rapturous reviews on Broadway, inexhaustible playwright and adaptor Simon Stephens has swapped Mark Haddon for Anton Chekhov and a new version of The Cherry Orchard, now previewing at the Young Vic.

Read more...

10 Questions for Playwright Nicholas Wright

Jasper Rees

This year the nation has been spirited back to 1914. Every aspect of the First World War has been explored - its causes debated, the horrific conditions on the front revisited. And yet there has been less talk of the psychological impact of trench warfare, which is why Nicholas Wright’s new stage adaptation of Regeneration will greatly add to the sum of the centenary coverage.

Read more...

theartsdesk Q&A: Actress Sofie Gråbøl

Jasper Rees

Sofie Gråbøl as Danish royalty: it hardly stretches credulity. The face of Nordic noir has been a star in her home country ever since appearing in Bille August's Pelle the Conqueror in 1987, but is solely familiar on these shores as Sarah Lund, the jumpered Copenhagen detective from three unmissable series of The Killing.

Read more...

10 Questions for Actress Celia Imrie

Sebastian Scotney

Celia Imrie is admired and loved as a comic actress. Her conversation, just as much as her performances, is full of her trademarks: sudden darting looks, alertness, natural timing, changes of register. They will all be in display in her cabaret show Laughing Matters.

Read more...

10 Questions for Artistic Director John McGrath

Jasper Rees

As of next year, John McGrath will be the most senior artistic director of a national company in the land. Rufus Norris will be freshly installed at the National Theatre of Great Britain on the Southbank. Laurie Sansom started at the National Theatre of Scotland in 2013. McGrath launched National Theatre Wales in 2009.

Read more...

theartsdesk Q&A: Director Jonathan Kent

Jasper Rees

Jonathan Kent was an actor before he was a director. Indeed, he had not directed a single play when in his mid-40s he assumed control of the Almeida Theatre in 1990. By the time he and his co-artistic director Ian McDiarmid has left more than a decade later, they had enforced a vital shift in the ecology of London theatre.

Read more...

10 Questions for Director Dmitry Krymov

Thomas H Green

Dmitry Krymov (b 1954) is one of Russia’s most groundbreaking and celebrated contemporary theatre directors and set designers. Performances by his “Theatre Laboratory” are renowned for combining multimedia with art installation techniques to surprise and thrill audiences across Europe and as far afield as New York.

Read more...

10 Questions for Playwright Julian Mitchell

Jasper Rees

When Julian Mitchell wrote Another Country in a couple of months in 1980, Anthony Blunt had just been exposed as one of the Cambridge spy ring. Donald Maclean and Kim Philby were still living in Moscow and the Cold War had another decade to run. The play was set in a boarding school in which adult authority figures are entirely absent, leaving prefects to run the place like a English establishment.

Read more...

I Found My Horn: Afterlife of a Book

Jasper Rees

When a book is published, there are broadly speaking three alternative fates which lie in wait. It goes global, it sinks without trace, or it sells modestly and steadily to the readership for whom it was intended. There is, however, another potential option, which is that it catches a thermal and veers off in an unforeseen direction.

Read more...

theartsdesk Q&A: Director Daniel Evans

Jasper Rees

The board of Sheffield Theatres has a history of appointing actors to run the show. Michael Grandage had very little directing experience when he became artistic director of the city’s three theatres. Then came Samuel West. He was followed by Daniel Evans, who had directed no more than four plays.

Read more...

Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


latest in today

Reissue CDs Weekly: Help Yourself - Passing Through, The Com...

“Reaffirmation” is the sound of a San Francisco ballroom in 1968. The 12-minute long track opens mysteriously with what might be a Mellotron on...

Podium odes to joy: conductors at the 2021 BBC Proms

They must have been especially overjoyed to be back in front of (or with back to the greater part of) a live audience. But inspiring musicians is...

Rose Plays Julie review - a sombre story of rape, adoption a...

Rose (Ann Skelly; The Nevers) is adopted. The name on her birth certificate is Julie and the possibility of a different identity –...

The Magic Flute, Royal Opera review - all but a guarantee of...

Rarely has the revolving door of opera twirled so efficiently. David...

Album: Sufjan Stevens & Angelo De Augustine - A Beginner...

For those amongst you who listened obsessively to the soundtrack of Call Me By Your Name, the idea of an album by cult...

Hofesh Shechter Company, Double Murder, Sadler's Wells...

If I had to sum up in a single impression the work I’ve seen of Brighton-based, Israeli-born choreographer...

The Starling, Netflix review - a slender idea unsatisfyingly...

Despite an alluring cast which includes Melissa McCarthy, Chris O’Dowd and Kevin Kline, The Starling is doomed to be remembered, if at...

Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery...

When you stand in front of Helen Frankenthaler’s Freefall, 1993, in your mind you drop into its gorgeous, blue abyss. It is enveloping,...

Album: Lil Nas X - Montero

Lil Nas X is good at being a pop star. Like, what could pop culture need more than a young, flamboyant, witty gay rapper from the deep south who...