Theatre Interviews
theartsdesk Q&A: Actor Zach BraffSunday, 12 February 2012
Zach Braff (b 1975) is overwhelmingly known as the star of Scrubs, the hugely popular American hospital comedy which came with a side order of surrealism. But fans of low-budget indie cinema will also cherish fond memories of Garden State, which he wrote, directed and starred in alongside Natalie Portman. Read more... |
The King's Speech: From Screen to StageSaturday, 11 February 2012
George VI had been my hero since childhood because I was such a terrible stutterer. We had been evacuated from England to the US and during the war, particularly the latter stages, my parents would encourage me to listen to the King’s speeches on the wireless. “Listen, David,” they’d say, “he was a far worse stutterer than you, and listen to him now. He’s not perfect but he can give these magnificent stirring speeches that really work. Read more... |
theartsdesk Q&A: Director Barrie RutterSunday, 29 January 2012
In 1992 Northern Broadsides, the Halifax-based theatre company founded by Barrie Rutter, staged its first production, Richard III. Rutter (b 1946), an established actor who had worked with some of the most distinguished names in theatre such as Jonathan Miller, Terry Hands, Peter Hall and Trevor Nunn, directed the show and also played the title role. Read more... |
theartsdesk Q&A: Actress Siân PhillipsSaturday, 07 January 2012
Siân Phillips (b 1933) belongs to a remarkable generation of British actresses. They include Maggie Smith, Judi Dench, Eileen Atkins, Vanessa Redgrave, Joan Plowright and Sheila Hancock. Although just as indomitable a presence on stage and screen, Phillips is set apart from them not only by dint of her Welshness – Welsh was her mother language as a child – but also by the curious shape of her career. Read more... |
theartsdesk Q&A: Dramatist Lee HallSunday, 02 October 2011
Like his most famous creation, Billy Elliot, Lee Hall left his native North East to pursue what turned out to be a glittering career in the arts. Although I can’t speak for the fictitious Billy, Hall has certainly never forgotten his working-class roots, which continue to inform and inspire his work. Read more... |
theartsdesk Q&A: Director Mike LeighTuesday, 20 September 2011
There is somewhere called Leighland, where people may be ineffably sad or existentially cheerful, old or young, live in a high rise or a semi. But they are all recognisably inhabitants of the world famously conjured up over a long period of clandestine development in the now time-honoured fashion. Nothing and everything changes in the work of Mike Leigh (b 1943). Read more... |
Q&A Special: On Recreating South PacificSaturday, 13 August 2011
It was early in 1949. South Pacific, the follow-up to Rodgers and Hammerstein’s huge wartime hit Carousel, had entered the try-out phase before hitting New York. Read more... |
Q&A Special: Magician Paul KieveTuesday, 19 July 2011
Hollywood has turned the special effect into a birthright for a generation of movie-goers. “How did they do that?” is no longer a question you hear in the multiplex. In the theatre it’s another thing entirely. Whatever the reception for the show in its entirety, the musical version of The Lord of the Rings did contain one remarkable illusion in which Bilbo Baggins vanished before the audience’s eyes. Even... Read more... |
theartsdesk Q&A: Director Emma RiceSaturday, 16 July 2011
Based in a collection of barns on a cliff top near Mevagissey on the south Cornish coast, Kneehigh theatre company has always looked defiantly away from London and out towards the sea and the wider world. This streak of independence runs right through the heart of the company, which produces extraordinarily inventive, highly visual and sometimes surreal work that has been seen all over the world, from Australia to Colombia to Broadway and, yes, the West End. Read more... |
theartsdesk Q&A: Writer/Director David LelandSaturday, 02 July 2011
David Leland (b 1947) has worked extensively both sides of the Atlantic but he is best known, both as a writer and a director, for his shrewd observations of ordinary people struggling against the constraints and hypocrisy of the accepted social mores of English life in films such as Mona Lisa (1986), Personal Services (1987) and Wish You Were Here (1987). However, it was Made in Britain (1982), a television play written by Leland for Channel 4 and... Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Eileen review - a dank fairytale film noir
As the title character in Eileen, set in a miserable Massachusetts backwater in the days before Christmas 1964, Thomasin McKenzie plays a...
Album: Shirley Hurt - Shirley Hurt
The realisation that Shirley Hurt is the name assumed by Canada’...
A Sherlock Carol, Marylebone Theatre review – merry, but mir...
It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But...
Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...
Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...
Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...
Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...
Queendom review - an LGBTQ+ performance artist takes to the...
It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...
Album: Ghost Woman - Hindsight Is 50/50
Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...
The House of Bernarda Alba, Lyttleton Theatre review - dazzl...
Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...
Album: Trevor Horn - Echoes: Ancient & Modern
A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...
Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...
This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...