Theatre Reviews
Bellringers, Hampstead Theatre review - mordant comedy about the end of the worldWednesday, 09 October 2024![]()
As hurricanes rip into the American Gulf states with increasing ferocity, Eastern Europe disappears underwater and even the gentle British rain becomes a deluge, the arrival of Daisy Hall’s debut play Bellringers at Hampstead Theatre’s Downstairs space couldn’t be more timely, Read more... |
French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-runningWednesday, 09 October 2024![]()
It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely for Gallic-Gang Productions to resurrect Jean (La Cage aux Folles) Poiret’s farce Fefe de Broadway, adapted as French Toast. Read more... |
Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedyMonday, 07 October 2024![]()
"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality in his part as written by O'Casey, but in Matthew Warchus's hands this is made an explicit element of the whole production, culminating in the unexpected finale. When the first scene opens, swags of red stage curtains rise and remain looped in place throughout, framing the action. Read more... |
Angry and Young, Almeida Theatre review - vigorous and illuminating double billMonday, 07 October 2024![]()
Why should we not look back in anger? With the Oasis reunion tour in the news recently, the title of John Osborne’s seminal kitchen-sink drama – which kicked off the whole cultural phenomenon of the Angry Young Men on its first staging in 1956 – has again become familiar in its reminted version, to a new generation. Read more... |
Lear, Barbican Theatre review - a very stormy saga, Korean-styleSaturday, 05 October 2024![]()
What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop producer, Jung Jae-il, who has created additional music for Lear. Read more... |
A Tupperware of Ashes, National Theatre review - family and food, love and lossFriday, 04 October 2024![]()
Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in the pan; mixing up memories; just plain blank episodes. At various times, she relives distant moments in her life with her husband Ameet, who died more than 20 years ago. Very soon she is diagnosed with Alzheimer’s. Read more... |
The Cabinet Minister, Menier Chocolate Factory review - sparkling tour de force of a farceTuesday, 01 October 2024![]()
The stock of the late 19th century playwright Arthur Wing Pinero has just received a significant boost, thanks to the brilliant work of the actress Nancy Carroll – not only as a superb performer but as a dab hand with an adaptor’s pen. Read more... |
A Face in the Crowd, Young Vic review - lame rehash of a 1950s film satireMonday, 30 September 2024
It’s hard to work out why Kwame-Kwei Armah chose to end his tenure at the Young Vic by directing this soggy musical by Elvis Costello (songs/lyrics) and the American playwright Sarah Ruhl (book). Read more... |
Coriolanus, Olivier/National Theatre review - ambitious staging but the tragedy goes missingFriday, 27 September 2024![]()
The National’s new production of Coriolanus has to be one of the most handsome to appear on the Olivier stage. But it has arrived minus a key item: a hero whose end is tragic. Read more... |
Here in America, Orange Tree Theatre review - Elia Kazan and Arthur Miller lock horns in McCarthyite AmericaWednesday, 25 September 2024![]()
The clue is in the title – not Then in America or Over There in America or even a more apposite, if more misleading, Now in America, but an urgent, pin you to the wall and stick a finger in your face, Here in America. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

Adrien Brody is on a roll. Following his Golden Globe and BAFTA Best Actor wins for his performance as László Toth in...

The story of Ruth Ellis’s execution in 1955 has found its own macabre niche in British folklore, and has been been the subject of several film,...

Within the loud realm of metal, it often exists happily unbothered by the mainstream. And although a metal band going mainstream isn't always well...

The BBC’s latest “cool” Agatha Christie adaptation has many...

Cultural references run up the flagpole on Ghost Palace include Deep Purple’s “Space Truckin’” buskers covering Lynryd Skynyrd and Ed...

Let’s call it Jane Austen fit for the West End, but with opera singers. The fact that it also serves as a fun ensemble piece for students is also...
Forty years ago, Chuck Prophet was the Keith Richards-like guitar hotshot in Green On Red, peers of R.E.M. and among the raw country-punk...

Stonehenge is about 5,000 years old; three photographic artists currently exhibiting in the visitor centre are all under the age of...